The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

About

“My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you’re lucky.”
― Alan Moore

 

The Cultural Gutter is updated every Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, Chris Szego dallies with romance, alex MacFadyen stares deeply into the screen, Keith Allison probes science-fiction, and our Guest Stars shine here.

Thanks to EJ Lee for providing the fantastic art we used in the banner and The Cultural Gutter book.

While the writers have considerable enthusiasm for their subjects, they don’t let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.

Our Editors

Raised by two international catburglars, Carol Borden turned her back on her heritage to take up a life of art. Sometimes, late at night, she regrets her decision. You can read and listen to some of her other shenanigans at  Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”

Born and raised in Canada’s Cowtown, alex MacFadyen first embraced the cultural gutter through the local country music station. Needless to say, his family did not get it, and that was only the beginning. For his particular take on the gutter, check out, “The Social Relevance of Jackassery.”

When he’s not explaining some obscure historical or anthropological point while oblivious to the fact that he is slowly sinking in quicksand, Keith Allison writes about Science Fiction and Fantasty for The Cultural Gutter and runs the cult culture website Teleport City. For his particular take on gutter culture, check out, “The Sci-Fi Life.

 

Romance Editor Emeritus Chris Szego reads romance. Along with poetry, mystery, sf, non-fiction of all kinds, cereal boxes (but not horror, because she’s kind of a chicken). For her particular take on the gutter, check out, “Love For Sale.” (Retired from The Gutter).

SF/F Editor Emeritus James Schellenberg lives in Ottawa. For his particular take on gutter culture, check out, “Even When They’re Wrong, They’re Right.” (Retired from The Gutter).

Screen Editor Emeritus Ian Driscoll is the screenwriter of numerous gutter-level films including the Harry Knuckles series, Jesus Christ, Vampire Hunter, The Dead Sleep Easy and Smash Cut. His day job is in advertising, which helps explain the drinking. And, because he apparently needed another thing to keep him busy, he recently became a partner in running Ottawa’s oldest surviving cinema, the Mayfair Theatre. If he had a band, he would name it Two-Panel Marmaduke. For his particular take on the Gutter, check out, “Dangerous Because it Has a Philosophy.” (retired from The Gutter)

Jim Munroe has written three science-fiction novels. His videogame column in eye is called Pleasure Circuit. His No Media Kings website is home to his projects as well as many do-it-yourself articles on movie and book making. He lives with his wife in Toronto’s Annex neighbourhood but enjoys an occasional trip to Liberty City, where he’s shot a lot of video. For his particular take on gutter culture, check out, “Vive Le Gutter!” (Retired from The Gutter)

Guy Leshinski is a writer and editor, a slapdash cartoonist and bass player, and sometime bon vivant. His comics column, The Panelist, appears every other week in Toronto’s eye Weekly. For his particular take on gutter culture, check out, “Gutter Thoughts.” (Retired from The Gutter)

Video Games editor Andrew Smale has retired from The Gutter.

Movie Editor Robin Bougie is writer and editor for the seminal Cinema Sewer magazine (retired from The Gutter)

 

Affiliations

The Cultural Gutter is a member site of The Mysterious Order of the Skeleton Suit (M.O.S.S.), a shadowy confederation of like-minded writers, broadcasters, creators, and jetsetters who have banded together in a bold mission to bring international intrigue and pop entertainment to the masses. Can anyone stand in the way of their diabolical schemes???

 

 

 

The Cultural Gutter is also a proud sponsor of The Drive-In Mob, along with the Grindhouse Cinema Database and Shelf Life Clothing Company.  Find the Mob on Twitter every Thursday and join in the tweetalong with the hashtag “#driveinmob” as we watch a classic genre film double feature.  Check driveinmob.com  or @driveinmob on Twitter for the weekly schedule and learn more about the Mob’s history here.

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  • Of Note Elsewhere

    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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    At NPR’s Monkey See, Glen Weldon reviews Jon Morris’ The League of Regrettable Superheroes and considers the most intriguing comic book heroes of yore. “Truth in advertising: The Eye was a mysterious, giant, floating, all-knowing eyeball that hectored people to fight crime on its behalf. Which they did, and can you blame them?” (Thanks, Pauline!)

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