Against my better judgement, the lights in my apartment are connected to a wireless network controlled via an app. There are physical buttons, but they are located near the plugs, at ground level and often behind obstructions. When I leave, turning off the light requires digging my phone out of my pocket, typing in the unlock code, opening the app, waiting for it to detect the network, then tapping a button to turn off the light. I do all of this while standing an inch or so away from the old wall switch, the use of which would achieve the same result in a fraction of the time. As a result of this modernity, every time I leave the apartment, I feel the uncontrollable urge to make sure I’m listening to the title theme from French director Jacques Tati’s 1958 masterpiece Mon Oncle. I am, at that moment, Monsieur Hulot. Continue reading…
“My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you’re lucky.”
― Alan Moore
The Cultural Gutter is updated every Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, Chris Szego dallies with romance, alex MacFadyen stares deeply into the screen, Keith Allison probes science-fiction, and our Guest Stars shine here.
While the writers have considerable enthusiasm for their subjects, they don’t let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.
Raised by two international catburglars, Carol Borden turned her back on her heritage to take up a life of art. Sometimes, late at night, she regrets her decision. You can read and listen to some of her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Chris Szego reads romance. Along with poetry, mystery, sf, non-fiction of all kinds, cereal boxes (but not horror, because she’s kind of a chicken). For her particular take on the gutter, check out, “Love For Sale.”
Born and raised in Canada’s Cowtown, alex MacFadyen first embraced the cultural gutter through the local country music station. Needless to say, his family did not get it, and that was only the beginning. For his particular take on the gutter, check out, “The Social Relevance of Jackassery.”
When he’s not explaining some obscure historical or anthropological point while oblivious to the fact that he is slowly sinking in quicksand, Keith Allison writes about Science Fiction and Fantasty for The Cultural Gutter and runs the cult culture website Teleport City. For his particular take on gutter culture, check out, “The Sci-Fi Life.”
SF/F Editor Emeritus James Schellenberg lives in Ottawa, and runs a book website called BiblioTravel that keeps track of where fiction is set. For his particular take on gutter culture, check out, “Even When They’re Wrong, They’re Right.” (Retired from The Gutter).
Screen Editor Emeritus Ian Driscoll is the screenwriter of numerous gutter-level films including the Harry Knuckles series, Jesus Christ, Vampire Hunter, The Dead Sleep Easy and Smash Cut. His day job is in advertising, which helps explain the drinking. And, because he apparently needed another thing to keep him busy, he recently became a partner in running Ottawa’s oldest surviving cinema, the Mayfair Theatre. If he had a band, he would name it Two-Panel Marmaduke. For his particular take on the Gutter, check out, “Dangerous Because it Has a Philosophy.” (retired from The Gutter)
Jim Munroe has written three science-fiction novels. His videogame column in eye is called Pleasure Circuit. His No Media Kings website is home to his projects as well as many do-it-yourself articles on movie and book making. He lives with his wife in Toronto’s Annex neighbourhood but enjoys an occasional trip to Liberty City, where he’s shot a lot of video. For his particular take on gutter culture, check out, “Vive Le Gutter!” (Retired from The Gutter)
Guy Leshinski is a writer and editor, a slapdash cartoonist and bass player, and sometime bon vivant. His comics column, The Panelist, appears every other week in Toronto’s eye Weekly. For his particular take on gutter culture, check out, “Gutter Thoughts.” (Retired from The Gutter)
Video Games editor Andrew Smale has retired from The Gutter.
Movie Editor Robin Bougie is writer and editor for the seminal Cinema Sewer magazine (retired from The Gutter)
The Cultural Gutter is a member site of The Mysterious Order of the Skeleton Suit (M.O.S.S.), a shadowy confederation of like-minded writers, broadcasters, creators, and jetsetters who have banded together in a bold mission to bring international intrigue and pop entertainment to the masses. Can anyone stand in the way of their diabolical schemes???
The Cultural Gutter is also a proud sponsor of The Drive-In Mob, along with the Grindhouse Cinema Database and Shelf Life Clothing Company. Find the Mob on Twitter every Thursday and join in the tweetalong with the hashtag “#driveinmob” as we watch a classic genre film double feature. Check driveinmob.com or @driveinmob on Twitter for the weekly schedule and learn more about the Mob’s history here.