The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Halting Fire

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In the season one finale of AMC’s new series Halt and Catch Fire, the builders of the Cardiff Electric portable Giant computer gather around a conference table to read an unenthusiastically positive review of their new product. It is an unwitting apt reflection of my reaction to the show in general. What was touted, or […]

Einstein and the Bearded Lady

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The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — […]

You Can’t Make a Masterpiece Without Madness

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There are a number of books and films I’ve classified as “having seen,” because I have. But, upon reflection about these titles, I realize I remember nothing about them, usually because I experienced them decades ago and as a young lad. Neuromancer by William Gibson was a big one. It hit me a few years […]

Where Is All You Angels?

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The summer of 1993 is one I will never forget and can barely remember. It is a sultry, humid swamp haze of hundred degree days spent with no air conditioning in a run-down neighborhood draped in Spanish moss and populated almost entirely by burn-outs, freaks, and students ages 19-25 living in ramshackle, rotting houses and […]

The Worst Dressed Man in the Room

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Diving into the fashion of Mad Men may seem a tired topic at this point, as the show rumbles into its final season. We’ve seen analysis of the clothing from stylistic, historical, and philosophical angles, and it would seem there’d be little left to say. Even the “Don is not a style icon; he’s a […]

Back to the World

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I once read an interview with a man who was involved in some of the bloodiest fighting during the Vietnam war. This particular battle he fought, watching friends and compatriots killed while he and they tried to kill in return, and then a day or two after it was over, so was his tour of […]

Cyberpunk for a Cyberpunk World

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From time to time, old folks like myself ask themselves, “whatever became of cyberpunk?” It was a strange…subgenre? Literary style? Lifestyle? Some awkward combination of all those things that grew from a collection of writers who, working independently of one another and often with wildly different approaches, tapped into a zeitgeist that could have only […]

Death to Life Day

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A lot of people my age have vague memories of a Star Wars holiday special back from some time in the 1970s, but beyond that their memories go blurry. Maybe they recall it had something or other to do with wookies, but specifics are difficult to drag up from the recesses of the mind — […]

The Dandy Doctor

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You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, […]

Hebrew Horrors

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To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]

Gothic Galactic

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It makes sense that so much of Mario Bava’s oeuvre would deal with situations and people that/who are not what they seem. His whole life was spent in the world of deception and illusion. His father was a sculptor who moonlighted as an effects man for Italy’s magnificent silent era spectacles. Bava himself studied to […]

The Sci-Fi Life

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My first memories are of Ultraman, the Adam West Batman show, and something about jumping into a dumpster — but let’s leave that one out for now. It was probably related to one of the first two anyway. I vividly remember being mesmerized by Ultraman. From there, raised by young parents in a college environment […]

At Play on the Planet of Men

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“His mother had often said, when you choose an action, you choose the consequences of that action. She had emphasized the corollary of this axiom even more vehemently: when you desired a consequence you had damned well better take the action that would create it.” — Lois McMaster Bujold, Memory There is an age-old fallacy […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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