At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir. “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”
This week Gutter Guest Darryl Shaw fills in for Screen Editor alex MacFadyen. “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. […]
In the year 2001 I discovered a magical world. Not Harry Potter (that was a few years later) and not the Internet (although it was responsible), but a world that captured my attention and hasn’t let go ten years later. It has to do with fanfiction; unpaid fiction that is written by fans of a […]
I’m not hardcore. Admitting that, opens up a world of possibilities, and closes no doors. Labeling yourself as such opens a Pandora’s box of criticism from people who live and bleed what you think you do. So I’m not going to make any outlandish statements, and start to think that I’m hardcore because I’m ranked […]
This month, Gutter Guest Stars John Crye and Todd Sharp continue their discussion of transmedia entertainment and The Unnameable Future. Part I is here. Brooke Thompson, “experience designer” and blogger at GiantMice.com, recently posted a follow-up to her article, “Transmedia Will Kill Hollywood Is Killing Transmedia,” which we referenced in last month’s guest spot here […]
…or, Why We Are Confused About The Defining Terms Angrily Dismissed By Those Trying to Trademark Them Recently on her site GiantMice.com, “experience designer” Brooke Thompson posted an article entitled, “Transmedia Is Killing Hollywood Will Kill Transmedia.” In it, Thompson decries the fact that the new storytelling form known as “transmedia” (previously called “cross-platform storytelling,” […]
In this companion piece to his retrospective of Gordon Parks’ career, Guest Star Robert Mitchell looks at Parks’ The Learning Tree and interviews lead actor, Kyle Johnson. 1968 was a tumultuous year in American history. A year marred by wide spread violence that would see Martin Luther King Jr. assassinated in Memphis and Bobby Kennedy […]
It has always been my long held contention that cinema–while being a medium of mass entertainment–can also be a powerful art form that can illuminate, inspire and ultimately change the world we live in. One artist that worked in the mediums of photography and film making that truly exemplified my theory that film can be […]
R-Type has a funny way of showing its affection. It doesn’t give you black eyes, but it still makes them red and twitchy. You don’t eat as much. You abuse caffeine and other stimulants, as if that makes much of a difference. Its benchmark of expectation keeps rising. Make no mistake: The standards presented will […]
Last month I wrote about Jackass as a cultural project, but what I initially intended to write about was how I feel just a little bit better about myself and the world after watching it. And no, it’s not because they’re all more of a jackass than I am.
Jackass isn’t as stupid as it seems on the surface. I mean, there’s no question it’s jackassery and that’s the main draw, but it’s also a really interesting cultural project.
This month Gutter Guest Star Kat Gligorijevic writes about watching tv and movies in Belgrade, Yugoslavia. Part 1 “Tumbling for Boy George in Baghdad” can be found here. It was the late ’80s and I was nine years old when my family returned to Belgrade from Baghdad. I was already a more sophisticated television viewer. […]
This month the Cultural Gutter features the first of two articles by Katarina Gligorijevic about growing up with Western pop culture in Baghdad and Belgrade. My first time setting foot on North American soil was in 1989, when my family arrived in Toronto. It has remained my home ever since, and I credit the ease […]
Former Comics Editor, Guy Leshinski has very kindly given us permission to reprint a prophetic interview with Bryan Lee O’Malley in 2005. Will Bryan Lee O’Malley attain the Holy Grail of cartoonists? As Bryan says, “We’ll see…” There’s a girl sitting on the subway. She’s 16 or so, in a brown corduroy jacket and a […]
Does being amused by turning non-ovine creatures into sheep make you a bad person? It doesn’t seem like a serious question, but appearances can fool you. Especially, according to Plato, if you are a fool. I think it’s safe to say that there would have been no video games in the Republic.
“Fisher,” they’d cry, “we’re going to find you.” They were looking in the wrong place. I was already somewhere else. And as they approached the last position they saw me, that somewhere else was right behind them. Either a clean bullet to the head or some other form of quick, close, personal death, they slump […]
Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]
It’s been years since I’ve read any straight-up science-fiction. You know, the classic stuff by authors like Arthur C. Clarke or Robert Heinlein or Isaac Asimov. But I got back into it recently through A.E. Van Vogt, having picked-up a used copy of Empire of the Atom.
The film industry is a magical business. I don’t mean magical in the “Hollywood movie magic” sense, as is typically employed by awards show musical numbers and the California Board of Tourism. I mean that it is an industry with a business model that is not, and by its very nature cannot, be constructed on […]
You remember the ending of the original Superman movie starring Christopher Reeve, directed by Richard Donner: Superman, too late to save Lois Lane, flies around the world at tremendous speed, reversing events so he can have another chance to save her. The facts seem straightforward, but I find that people do not agree on the […]
Michael Moorcock’s latest, and last, fantasy trilogy winds different strands of his fiction together intointertwining, virtually meta-fictional narratives reflecting on mythic and heroic archetypes and the power of stories to create new realities. If you like Moorcock, you will enjoy these books. If you don’t like Moorcock, they probably won’t change your mind. And if […]« go back — keep looking »