Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
I once read an interview with a man who was involved in some of the bloodiest fighting during the Vietnam war. This particular battle he fought, watching friends and compatriots killed while he and they tried to kill in return, and then a day or two after it was over, so was his tour of […]
The Cultural Gutter turned ten in May, 2013 and we didn’t make much of a fuss about it. But ten years ago this week, Jim Munroe posted the manifesto that’s guided The Cultural Gutter, even as each subsequent editor has joined the Gutter and added their take on our mission. We thought this would be […]
From time to time, old folks like myself ask themselves, “whatever became of cyberpunk?” It was a strange…subgenre? Literary style? Lifestyle? Some awkward combination of all those things that grew from a collection of writers who, working independently of one another and often with wildly different approaches, tapped into a zeitgeist that could have only […]
A lot of people my age have vague memories of a Star Wars holiday special back from some time in the 1970s, but beyond that their memories go blurry. Maybe they recall it had something or other to do with wookies, but specifics are difficult to drag up from the recesses of the mind — […]
You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, […]
To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]
This week, Science Fiction Editor Emeritus James Schellenberg returns as a Guest Star. Screen Editor alex MacFadyen will return next month. You can easily glance off the top of any book by Stephen King–get a few frights and move on. But there’s a hidden world beneath almost all of his books, and not only is […]
It makes sense that so much of Mario Bava’s oeuvre would deal with situations and people that/who are not what they seem. His whole life was spent in the world of deception and illusion. His father was a sculptor who moonlighted as an effects man for Italy’s magnificent silent era spectacles. Bava himself studied to […]
My first memories are of Ultraman, the Adam West Batman show, and something about jumping into a dumpster — but let’s leave that one out for now. It was probably related to one of the first two anyway. I vividly remember being mesmerized by Ultraman. From there, raised by young parents in a college environment […]
“His mother had often said, when you choose an action, you choose the consequences of that action. She had emphasized the corollary of this axiom even more vehemently: when you desired a consequence you had damned well better take the action that would create it.” — Lois McMaster Bujold, Memory There is an age-old fallacy […]
The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!
Speaking from recent experience, I don’t recommend getting a cold/cough/(something virulent and archaic, like consumption?) that sticks around for 4-5 weeks. It kinda sucks. With reduced brainpower, I’ve been watching a lot of Rifftrax (“There can be only one?? You should have mentioned that earlier!”). Fun, but not much to say, except that, yup, Highlander […]
I’ve missed the spooky month of October by one day, and probably rotted my brain on too much Rifftrax. In lieu of coherent thoughts, here is a compilation of recent observations.
In which I take a rambling walk through some recent semi-connected pop culture items, starting with a videogame reboot that’s actually worth playing, moving on to nostalgia for a nostalgia-based movie, and ending with a look at child actors, in reality and in novel form.
Napoleon’s invasion of Russia was a gruesome historical tragedy; or, a colossal act of hubris that cost the lives of 400 000 soldiers. Sounds like the perfect milieu for a vampire feeding frenzy! Jasper Kent’s Twelve is an odd mix of historical novel, horror, and, of all things, a somewhat too close examination of torture.
I’ve been a bit out of steam on pop culture lately. On a whim, and maybe as a way to recapture how I used to discover books when I was a kid, I grabbed two books off the shelf at my local library, and jumped into them blind.
Among Others by Jo Walton just won the Nebula Award for best novel, and Seanan McGuire (in combination with her pseudonym Mira Grant) was just nominated for four Hugo awards in one year, a new record. I figured I should take a look at Walton’s book, along with something by Grant (I ended up reading […]
It’s a classic set-up: humans are exploring space and receive a mysterious signal. Time for first contact! A.C. Crispin takes this familiar idea and runs with it in StarBridge, a smart and fast-paced novel from a few years ago, now released as an ebook for the first time.
Recent fantasy novels seem to spend a lot of time describing their magic systems – who can use magic? how does it work? and at what cost to the magic user? C.J. Cherryh’s Rusalka is, in most senses, no exception to this, since these questions are answered quite clearly. That said, Cherryh’s answers have some […]
Or the thirtieth or the fortieth! What happens to your experience of a genre work, ordinarily somewhat disposable, when you read or watch or listen to it multiple times? Most of the time, your brain turns to mush, or you tune out altogether, or every little thing about it becomes an irritant. But what if […]keep looking »