The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

On the merits of space cowboys and vengeance demons

Realism has a lot to answer for. For instance, the number of raised eyebrows I’ve received when recommending tv shows like Battlestar Galactica, Firefly, or Buffy the Vampire Slayer. Even when I talk about them in terms of artistic merit, interesting narrative structure and social relevance, more often than not I get a pause followed [...]

A Pie in the Face is Still Funny

Wipeout makes me laugh. It’s absurd and an appalling waste of water, but I’ve been watching it with a friend ever since we stumbled onto the “blind date” episode in season three and were still tuned in two hours later. It reminds me of how much I enjoyed American Gladiators when I was a kid. [...]

Maybe Reality Isn’t the Point

Define reality. I’m not a big follower of reality tv shows, although I find myself sucked in to an episode if I start watching. Sometimes I appreciate the talent and sometimes I’m just rubbernecking at the train-wreck drama or the otherness of other people’s lives, but when my favorite contender on The Glee Project was [...]

Heroic Trio

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Every April at the Gutter, the editors write about something outside their usual domains.  This month, Comics Editor Carol Borden writes about stars of action cinema. I like ladies of asskickery, women who can throw a punch or wield a sharp pointy weapon, preferably both. Since it’s April and we mix things up here at [...]

Highly Animated

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Every April at the Gutter, the editors write about something outside their usual domains.  This month, Romance Editor Chris Szego writes about animated movies.   When I was a kid, cartoons were a real treat. I didn’t watch much TV, but Bugs Bunny and friends were mandatory viewing. We watched the show as a family, [...]

Minoru Kawasaki: Look Back in Fun Fur

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Every April at the Gutter, the editors write about something outside their usual domains.  This month Comics Editor Carol Borden writes about movies. This is not even close to a full retrospective, because while Minoru Kawasaki doesn’t have a huge number of films, many of them are not available with English subtitles and I don’t [...]

In Living Colour

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This  last month at the Gutter, we’ve been mixing things up, with the editors writing outside of their usual domains. This week, instead of romance, Chris Szego will talk about movies or comics. Hey, wait! How about movies AND comics? Or rather, comic book movies? Recently, the theatre’s been a good place for comics. Not [...]

Asian Western Round Up

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am.  I’m talking Thai, Chinese, Japanese and Korean Westerns. They seem [...]

NOT BAD

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Ext. THE CITY – When you Least expect it You’re walking. The sidewalk is new, still burning moisture out of the concrete in a slow chemical reaction. You’re aimless. Nothing to do.

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are [...]

HIS SOUL’S STILL DANCING

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In the course of making The Bad Lieutenant: Port of Call – New Orleans, Werner Herzog seems to have discovered how to save Nicolas Cage: let him drown.

MERE SURMISE, SIR.

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If the ending of No Country for Old Men left you unsatisfied, the Coen Brothers’ latest film, A Serious Man, will drive you insane. Because, although on the surface it seems like a film about how we tell stories to make sense of life, it reveals itself as a film about how stories can’t make [...]

MAURICE SENDAK! I’M WITH YOU IN ROCKLAND

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Spike Jonze’s adaptation of Maurice Sendak’s Where the Wild Things Are is not, thank god, a film about growing up.

THE LONG WALK HOME

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“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.”

DO YOU KNOW JACK?

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As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do [...]

OH, THE MEGA-HUMANITY!

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So, Richard Kelly has a new movie coming out. Entitled The Box, it’s based on a Twilight Zone episode written by Richard Matheson, which is in turn based on a short story, also written by Richard Matheson. And I’m pretty sure there’s an entire article in Matheson’s impact on the screen arts, but this isn’t [...]

CAN’T WE ALL JUST GET ALONG?

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(Forecast calls for mild spoilers.) Watching Jody Hill’s Observe and Report, you may find yourself experiencing a sensation of disappointment. If you do, that’s a good thing.

THE UNDEAD CAMERA OF SAM RAIMI

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It’s about slapstick, yes. Splatstick, too, of course. And Bruce Campbell, mos def. But to me, Sam Raimi’s films have really always been about the camera.

I Want My Mummy

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Chris Szego writes about movies. Well, mostly movies. I’m a total chicken. This means I don’t watch anything that smacks of horror.  In fact, I tend to close my eyes when the music gets [...]

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  • Of Note Elsewhere

    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

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    A novelist takes revenge on writers he doesn’t like via wikipedia. Slate has the story. “Qworty’s edits undermine our trust in this great project. Qworty’s edits prove that Wikipedia’s content can be shaped by people settling grudges and acting out of spite and envy. Qworty alone, by his own account, has made 13,000 edits to Wikipedia. And Qworty, as the record will show, is not to be trusted.”

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    Diane Dooley writes about Mars’ need for women and ways to subvert it.

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    “[T]he mainstreaming of Jane Eyre as a vanilla romance, or even as an exploration of a woman’s pure, uncompromising, and uncomplicated (and religious! and feminist!) integrity, says all kinds of things about our inability to speak honestly about violence and sex.” More on Jane Eyre, Wuthering Heights, consent, sex and submission, here. (via K.A. Laity)

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    Comic Book Attic talks about comics about comics, with plenty of pages from Joe Simon and Jack Kirby’s The Newsboy Legion for your enjoyment.

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