The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Secret History of the Skeleton Suit (in Japan)

Carol Borden
Posted November 10, 2011

I appreciate Lord Death Man’s flair, his élan, panache, the way he daringly wears brown leather gloves, belt and boots with his high-contrast black and white skeleton suit—and makes it work. Of the many skeleton suits in the criminal underworld, I would wear Lord Death Man’s.

Lord Death Man is a villain in Chip Kidd, Geoff Spear and Saul Ferris’s Bat-Manga! The Secret History of Batman in Japan (Pantheon, New York: 2008), which collects stories written and drawn by Jiro Kuwata for Shonen King magazine in 1966 building on the popularity of the Adam West Batman tv-show. “Lord Death Man” is one of the two complete stories in the collection. (The other is, “The Man Who Quit Being Human!”).

The story opens with billionaire Bruce Wayne and his “assistant,” as Kuwata has it, Dick Grayson seated at a jewelry exhibition. The affair is interrupted when the lights go out. With a laugh “as if from the depths of hell,” Lord Death Man appears in all his phantasmagorically skeletal glory, brandishing a machine gun, backed up by other skeletons and warning Gotham’s 1% not to interfere in his heist. After a fantastic, action-packed chase, Batman and Robin capture Lord Death Man and bring him to court where Lord Death Man scoffs at the idea that anyone could execute him, then collapses onto the courtroom floor, dead.

Afterwards, Bruce Wayne is haunted by nightmares of Lord Death Man taunting him from beyond. Bruce’s solution? A Jamaican vacation with Dick Grayson. But even on the beach, they cannot escape Lord Death Man. A radio interrupts what I can only assume is some excellent 1960s Japanese group sounds with the news that Lord Death Man has risen from the grave and murdered someone. If this were a Lord Death Man comic, I’m sure the murder would be part of a electroyfingly elaborate and satisfying scheme, but this is a Bat-Manga, and we only see the edges of his plans as Batman pursues him through a 4-part adventure, ultimately confronting Lord Death Man in a graveyard.

While I particularly like Lord Death Man, I also like Bat-Manga‘s Bruce Wayne and Dick Grayson. This jet-setting Bruce Wayne will take a trip to Jamaica to get his mind off his problems. Dick Grayson is sassy, telling a woman, “If Bruce bought jewelry for every woman who talked to him, he’d be broke in no time!” Aside from his disrespect of his elders, he’s very much the smart little boy sidekick from so much 60s Japanese pop culture, though he does not wear short-shorts. Also, Batman says, “Rats!”

While it’s well-grounded in Japanese action-adventure,“Lord Death Man” also reminds me of European (and Turkish) super-criminal stories about Fantomas, Diabolik, Kriminal, Kilink, Sadistik and Satanik. (In fact, the film version of Kriminal came out the same year as “Lord Death Man”).  These stories are sort of 1960s Jet Age tech-focused updates of older pulp serials, where gangsters rub shoulders with robed figures in dark subterranean lairs, plotting schemes and transmitting doom via wireless.

Why wear a robe or a skeleton suit while wielding an automatic weapon? Why not something more practical? Supervillainy is all about aesthetics—the elaborate plans, evil laugh, terrifying name all guided by overarching tropes, such as “death.” Supervillains have many disparate and seemingly crazy goals, but, as I’ve argued before, what they have in common is an aesthetically-driven life. And one thing Lord Death Man shares with his super-criminal colleagues mentioned above is a passion for skeleton suits. His skeleton suit isn’t as garish as Kriminal’s yellow suit, as reptillian as Sadistik’s or as potentially matchy-matchy as Kilink’s black accessories with black and white suit. His take is a restrained one—a skull mask, black and white bone suit daringly paired with brown gloves, belt and knee-high boots. You wouldn’t think the brown accessories would work, but they do.

And while Kilink’s power is killing, Lord Death Man’s is already being dead. As he explains, referring to himself in the third person villainous, “The Lord Death Man can die and come back to life whenever he wants…” Lord Death Man further plays with his theme by escaping in a hearse and having his henchmen burst out of graves. Further, Lord Death Man not only uses his henchmen to ambush Batman and Robin, but to feature himself to best effect. Their black uniforms with black masks, white eyes and jack-o-lantern smiles really make Lord Death Man’s skull pop.

Bat-Manga! is action-packed and completely charming. And I like Kuwata’s style. I wish that there were more stories this vital and imaginative. People who want a more fun comic experience are sometimes accused of nostalgia, but comics have been dark and gritty for a long time now. I suspect the nostalgia driving the industry is one for that first reading of The Dark Knight. In a recent interview, Ursula Le Guin discussed the last 100 or so years of fine art, saying, “What’s new in art? We’ve been shocking the bourgeoisie since 1890.” Batman comics have been revolting against Adam West and, through him Dick Finger and Bill Sprang, since the 1980s. If there were more comics like the ones collected in Bat-Manga to dispel the gloom and get the grit out of my eye, I’m all for it.

As well as reprinting Batman stories, generously donated by collector Saul Ferris, Bat-Manga! also features gorgeously fetishistic photographs of Japanese toys, ads, merchandizing and bat-whatnot. It makes for a stunning softcover coffee table book, but one you don’t open widely because the weight of the pages and the glue binding means that, eventually, sections of the book will pull out of the cover. Bat-Manga! is pretty, worth-reading and simultaneously difficult to read—heavy, awkward, kind of fragile and optically busy. Did I mention that it is pretty and worth-reading?

But if Bat-Manga sacrifices some practicality to style as a supervillain sympathizer, I, well, sympathize. I mean, what supervillain wouldn’t?

~~~

Carol Borden wrote this piece as her inaugural post for the Mysterious Order of the Skeleton Suit. Click through to the Order’s site, if you dare.

If you want to see more Lord Death Man, check out the Batman: The Brave and the Bold Episode,“Bat-Mite Presents: Batman’s Strangest Cases!” or Grant Morrison’s graphic novel, Batman, Inc.

Comments

8 Responses to “The Secret History of the Skeleton Suit (in Japan)”

  1. NefariousDrO
    November 13th, 2011 @ 10:50 am

    I can tell you’ve been watching “Project Runway” alot. It hasn’t changed what you write about, but you have an expanded vocabulary to address the style and esthetic of the super villain. That this book is being re-printed gives me hope that more people are open to the fun side of comics, and maybe Adam West’s take on Batman will be more accepted.

  2. Carol Borden
    November 14th, 2011 @ 2:42 pm

    it’s actually the reverse, i already had the vocabulary–from design and fine art–but i decided to focus on the suit itself for my contribution to the Mysterious Order of the Skeleton Suit’s inaugural month and so rewatched Project Runway to help break writer’s block. where rewatching Project Runway influenced my vocabulary in this piece is my decision to use the word, “pop,” which i always find funny in design shows, but without quotation marks or further modification–like “in design shows.”

  3. Carol Borden
    November 14th, 2011 @ 2:44 pm

    also, “make it work,” but i thought that was obvious for tim gunn fans.

  4. The Secret History of the Skeleton Suit (In Japan) | Mysterious Order of the Skeleton Suit
    November 23rd, 2011 @ 5:02 pm

    […] READ THE FULL REVIEW » This entry was posted in Comics and tagged Bat-Manga, Batman, Comic Books, Japan, Skeletons. Bookmark the permalink. ← Abro Ne Bayie Phaansi → […]

  5. The Secret History of the Skeleton Suit (in Japan) | Monstrous Industry
    April 12th, 2013 @ 2:08 am

    […] piece was originally published by The Cultural Gutter on Nov. 10, […]

  6. 10 Comics I Liked In 2014 : The Cultural Gutter
    January 1st, 2015 @ 12:24 pm

    […] until DC realized that Batman ’66 was so good or that it might be a good way to re-release Batman: The Jiro Kuwata Batmanga). Do you miss Wonder Woman fighting robot apes? Do you want to see Wonder Woman team up with Big […]

  7. Summer Fun Time Reading ’15 : The Cultural Gutter
    June 18th, 2015 @ 1:18 pm

    […] Pantheon Books released a Chip Kidd’s Bat-manga!: The Secret History Of Batman In Japan (which I wrote about here). It featured Kidd’s signature design sensibility, with pictures of toys and merchandise, and […]

  8. Summer Fun Time Reading ’15 | Monstrous Industry
    June 25th, 2015 @ 1:59 am

    […] In 2008, Pantheon Books released a Chip Kidd’s Bat-manga!: The Secret History Of Batman In Japan (which I wrote about here). It featured Kidd’s signature design sensibility, with pictures of toys and merchandise, and a […]

Leave a Reply





  • Support Gutterthon 2015!

  • The Book!

  • Of Note Elsewhere

    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

    ~

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

    ~

    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

    ~

    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

    ~

    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

    ~

    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: