The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Sci-Fi Life

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My first memories are of Ultraman, the Adam West Batman show, and something about jumping into a dumpster — but let’s leave that one out for now. It was probably related to one of the first two anyway. I vividly remember being mesmerized by Ultraman. From there, raised by young parents in a college environment […]

The Social Relevance of Jackassery

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Jackass isn’t as stupid as it seems on the surface. I mean, there’s no question it’s jackassery and that’s the main draw, but it’s also a really interesting cultural project.

DANGEROUS BECAUSE IT HAS A PHILOSOPHY

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In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]

Love For Sale

Untruths about Romance books.

It is an untruth universally acknowledged that a woman in possession of a romance novel must be in want of A) wits, B) a social life, or C) both. I read romance, and frankly don’t care what other people think that says about me. In fact, I think the bias itself says some pretty interesting […]

In the Sewer with the Alligators

Hey everybody, let

I’m tired of the two-camera, hour-long drama. I’m tired of the Oscar-oriented mainstream film. I’m tired of “literary fiction,” you know, respectable middlebrow art. I don’t enjoy everyday reality heightened with swelling strings. I’m tired of realism’s conventions; so I’ve been turning to comics, pulp fiction, cartoons and genre film.

Even When They’re Wrong, They’re Right

What is science fiction good for? One answer: to speculate on what the future might be like. But I would argue that the game of science fiction is only sometimes about predicting the future. Sure it’s fun to invent flying cars and moonbases, but as even these two examples show, the predictive track record of […]

Gutter Thoughts

I have to admit, I’m not much of a cultural theorist. My grasp of our cultural gutter is about as sophisticated as a falling anvil — and it’s nowhere near as funny. Which isn’t to suggest I haven’t myself reclined in the gutter and slurped up its spillings like the rest of us… but to […]

Vive Le Gutter!

For a long time, I’ve always felt a little weird about the third question people ask me at parties. “What do you do?” “I’m a novelist.” “Oh! Really! Have you had anything published?” “Yep, I have three books out there.” “What kind of writing is it that you do?” “Well…it’s kind of science-fiction influenced stuff.” […]

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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