The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Black Napoleon’s Throne Of Satan

Gutter Guest
Posted March 27, 2014

Black_Napoleon thumbThis week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April.

There are many elements that made up the counter culture movement of the Sixties and Seventies. One of the most important of these elements was the Civil Rights Movement, whose aim was equality no matter what race, colour, creed or religion. While that fight continues to this day, in early 1967 a story was released that showcased the changing social values the civil rights movement had brought about.

In Australia, that story was released as Black Napoleon, penned by veteran Australian author J.E. Macdonnell. Macdonnell already had a substantial following with his numerous navy action books, but the sixties spy boom saw him scribing a series of espionage titles featuring an agent for Intertrust, Mark Hood. Black Napoleon (Horwitz Publications) was the seventh title in the Hood series.

Black Napoleon is a pretty slight read. Not that the Mark Hood books were ever jam packed with densely intricate plots, but this story is wafer thin. However one of the aspects that makes this book interesting, particularly those who enjoy the James Bond film, You Only Live Twice, is it features a villain housed in a volcanic lair. The volcanic lair has become a hoary, old chestnut, parodied mercilessly in books and films ever since, but as Black Napoleon was first published in May, 1967 and You Only Live Twice was not released in Australia until December, 1967, it is most likely a coincidence. After all, the volcanic lair has been used frequently in spy and adventure fiction, most noticeably in The Island of Dr. Fu Manchu, written by Sax Rohmer in 1941 and the film Our Man Flint, released in early 1966.

And in Black Napoleon, Mark Hood’s colleague and fellow Intertrust agent, Tommy Tremayne, who has been captured, is about to be brought before the megalomaniac, Dominat.

As the plane banked away from the top of the mountain and beamed in again in a wide circle, the Englishman could look down into the dead crater beneath them. Running across its diameter was a wide steel platform. The plane was dropping. It passed right over the top of the mountain then turned again. The runway was rushing towards them, a ribbon of glittering grey metal. Borja had pulled out a large white handkerchief from his pocket and was feverishly mopping his brow. When he pulled the handkerchief away it was saturated. “We have a very good pilot,” he said in a low voice, as if it were he himself who needed convincing.

Now that they were practically level with the runway that ran across the diameter of the crater, it looked much longer than it had done from the air. The plane was small and maneuverable. Tremayne closed his eyes and waited for the impact of touchdown.

There was a squeal as the wheels gripped the rough steel. Then the aircraft was turning. They stopped and the silence, after the steady hum of the motors, was almost tangible. Tremayne opened his eyes.

Borja’s face had been drained of all its colour. His lips were trembling.

“The end of the ride?” Tremayne asked.

“We will wait here,” Borja croaked. He was not smiling now.

They waited. Then, beneath them, was a distant hum of machinery and, without being aware of any movement, Tremayne could see the inner walls of the crater closing in over them. Then he realized that they were being carried down, plane and all, on top of the platform into the bowels of the mountain. (Black Napoleon, 33).


Black_NapoleonThe book itself is a strange double-hander with fellow Intertrust agent Tommy Tremayne, who has been captured, working from the inside, while Hood works from the outside. And while a two-pronged spy story still works, providing all the high points you would expect in a pulp adventure like this, it also has the problem of rendering the primary hero, Hood, slightly impotent.

But it isn’t just the use of a hollowed out volcano that make the story interesting. The villain of the piece was a black militant leader named Dominat. From his secret scientific laboratory he has invented a range of highly sophisticated weapons with which he intends to take over the world. Black villains were nothing new to spy fiction. The obvious example is Ian Fleming’s Live and Let Die, where James Bond comes up against a giant African-American crime lord named Mr. Big. As an adjunct here, it is worth noting that the film of Live and Let Die, while still maintaining Black villains, owes more to the success of films such as Shaft, than Fleming’s original novel.

The Black menace is first described as a secret gathering, as the African-American populace leave the United States en masse:

By July the figure was reduced even more. Flurried statisticians deduced that the negro inhabitants of these cities had been whittled away to about half. Nervousness gave way to panic. There seemed no logical reason for the move. Questions were met only with a stony silence or an evasive flickering of the eyes.

There were hints, of course, rumours that drifted like elusive wisps of smoke. Some said that the move heralded in some way the second coming of Christ, that they had sensed a period of darkness that was soon to engulf the world. The panic increased.

To trained observers, however, it soon became apparent that the motivation behind the migration was not a supernatural one. There were other movements, more secretive ones, which attracted attention in certain quarters.

The leaders of the ultra-nationalistic negro action groups were leaving the country. They left furtively, traveling in the most roundabout way, posing as tourists, businessmen, and, in the end, after all precautions had been taken, they met.

The final conference had been called.

Deep in the bowels of an extinct volcano at the northern tip of the island of Domenica, a tall coffee-coloured man scraped his chair along the floor as he rose to speak. He spoke.

“Gentlemen, our hands have been forced” (1-2).

The coffee-coloured man in question is, of course, Dominat. Here the story skips forward to May, 1967, and across the ocean to the United States. On the second day of that month, the Black Panthers (or more correctly, the “Black Panther Party for Self Defense”) made world headlines when they stormed the California State Assembly in Sacramento bearing arms. FBI Director J. Edgar Hoover called the Panthers “the greatest threat to the internal security of the country.”

Throne_Of_SatanBut what did this have to do with an Australian spy novel?

Before proceeding, I must say the following is only conjecture, as I cannot truly know what the mood at Signet Publishing was in 1967. But the dates add up, and the evidence to support the conjecture is based on the way Black Napoleon was appeared on store shelves in the United States. But I am getting ahead of myself…

In the United States, Macdonnell’s Mark Hood thrillers were released by Signet Books under the pen name James Dark. At that time, Signet had an extensive espionage catalog releasing not only the James Bond series, but thrillers from Bill S. Ballinger, William Haggard, Richard Henry, and Michael Clayton.

On occasion, the Hood thrillers had their titles changed for the American market. Black Napoleon became Throne of Satan. However when Throne of Satan was released, all description of Dominat’s race is removed.  Furthermore, the whole opening chapter, which established the gathering storm had been excised. Put simply, the villains in the book were no longer Black.

As Dominat is introduced in the Australian edition, Black Napoleon: “’Borja’s been telling me about you,’ he said, his face composed but with a studied negligence, almost insolence, in his voice. ‘The Black Napoleon, no less’” (36).

In the U.S. edition, Throne of Satan: “’Borja’s been telling me about you,’ he said, his face composed but with a studied negligence, almost insolence, in his voice. ‘The scientific genius with a yen for the macabre’” (47).

From the back of Black Napoleon: 

BLACK NAPOLEON. An exciting sequel that goes right on where Caribbean Striker concluded (Tremayne obliterated).

Inside an extinct volcano a negro extremist weaves a strange web that Intertrust knows nothing of. But – ignoring the knife of his beautiful companion in bed – super spy Mark Hood discovers a trail. And sudden devastation is left in the wake of a humanoid typhoon.

From the back: Throne of Satan:

DOMINAT is his name: He’s the prince of an infernal scientific kingdom situated miles deep inside the walls of a volcanic crater on the West Indian island of Dominica. He possesses an ultimate weapon geared to destroy the world’s armies and navies. After which event, Dominat will crown himself emperor.

MARK HOOD has to get into Dominat’s electronic torture palace – without Tommy Tremayne. His fellow Intertrust agent is already there and about as safe as an icicle in hell. Hood figures out a way to accomplish his mission: woo a singularly treacherous beauty, and play her usual night-games! And if that romantic ploy fails, there’s always … MURIMOTO.

Was J.E. Macdonnell’s old fashioned (and out-dated) prose considered too incendiary to published at that time? It is clear that Signet believed the content was no longer appropriate for an espionage thriller–a brave move in genre that had a long history of presenting broad, crude racial stereotypes.


David James Foster writes under the pen name, James Hopwood. He is the author of the retro-spy thrillers, The Librio Defection and The Danakil Deception (coming soon from Pro Se). His short fiction has been published by Sempre Vigil Press, Crime Factory, and Pro Se Publications.

Writing as Jack Tunney, he also scribed King of the Outback and Rumble in the Jungle, books in the popular Fight Card series. He also contibuted to Iron Head and Other Stories–an anthology released by Fight Card to aid literary charities and authors in need.

David lives in Melbourne, Australia. You can find out more at his website


2 Responses to “Black Napoleon’s Throne Of Satan”

  1. Black Napoleon’s Throne of Satan | Mysterious Order of the Skeleton Suit
    April 10th, 2014 @ 3:14 pm

    […] full article > […]

  2. Episode Links – The New Hope! - Tars Tarkas.NET - Movie reviews and more. Obsessively stupid about stupid films - Tars Tarkas.NET
    April 10th, 2014 @ 6:00 pm

    […] David Foster guests at Cultural Gutter with Black Napoleon’s Throne of Satan! […]

Leave a Reply

  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    The Gutter’s own Carol infiltrates Teleport City‘s limits to contribute to TC’s Space: 1999 series with her piece on aliens and what big jerks they are. “Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens are jerks.”


    The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s
    “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain)


    At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that denies oppression. One of the main characters, Adelaide Norris played by Jean Satterfield, came to the forefront for me because of her race and role in the story. Adelaide is one of the key characters who pulls the female troops together. With the help of her mentor Zella, played by civil rights lawyer Flo Kennedy, this young Black and gay woman tirelessly researches, advises, and recruits women to fight the good fight for equality.”


    A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!)


    At The Los Angeles Review Of Books, Suzannah Showler writes about the complexity of the reality tv show The Bachelor and her complicated love for it. “I love The Bachelor the way I love most things, which is to say: complicatedly. On the one hand, I think it’s a fascinating cultural product, one I find great delight in close-reading. But I also love it, frankly, because I just like watching it. I think it’s top-notch entertainment, and I will straight up hip-check my politics out of the way, and give up many hours of my life, in the name of being entertained.” (Via @idontlikemunday)


    At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the ‘well then why don’t you do it’ school of super-villain cameraderie, Dr. Doom, a man who built a time machine in his basement, heads off to try his luck at fighting the Punisher, a man who has a gun. He does this, as you might expect, by luring him to a quarry and — after a brief exchange between a Doombot and a minigun — attempting to blow up his van with a tank.”


  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.


  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: