“Bang the Drum Slowly: Grief in Modern Horror”

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At Prowler Needs A Jump, Kerry Fristoe writes about grief in four contemporary horror films, The Babadook, The Invitation, Prevenge, and The Void. “People in films kill for a boatload of reasons. They kill for money, love, sex, power, a black bird, a tanker full of gasoline, a witch’s broom, Cornel Wilde, and even a penmanship medal. If you watch horror films, you’re used to watching people, and dogs (please stop) die in creative and horrifying ways. What you’re not used to seeing is the aftermath. Sure, horror sequels often begin with the hero or heroine recovering in a mental ward after an ordeal, but seldom do the filmmakers dwell on the survivor’s feelings. Generally, the protagonist must hot foot it out of the hospital to avoid ending the franchise prematurely. A handful of terrific new horror films and filmmakers break that mold. These artists focus on grief as both a reason to kill, and an actual entity.”

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