At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”
Posted September 28, 2012
“These days, being a yakuza boss isn’t what it once was. In exchange for supreme status you get blamed for everything. In August of 2008, three months after the countermeasures laws went into effect, the Yamaguchi-gumi boss found himself dealing with one of his low-ranking underling’s unpaid McDonald’s tab. That’s because Japan’s approach to its major organized crime groups (there are 22) is to regulate rather than ban. They exist in the open with office buildings, business cards, and even company songs.” More at The Atlantic Wire. (Includes a link to an interview with the late director, Juzo Itami).