As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
Posted October 27, 2012
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films known to have artistic merit, that tell engaging stories, with imagery both striking and iconic. They are also films that are….deeply embedded with concepts of race, interwoven with acts of exclusion and stereotype and prejudice.
Zeba Blay writes of the film: “It’s a problematic message, one that sells the intelligence of the audience short — the only way for us to be invested in these characters, it seems, is to have the easily recognizable faces of our white protagonists just beneath the surface.”