Publicly admitting you read comics means you’re willing to put up with a perplexingly persistent notion of the medium as the exclusive domain of the super heroes. Even in the current realm of savvy pop art dabblers as likely to pray at the altar of independents like Image Comics as they are the Big Two there’s this lingering idea that in the beginning there was only the cape and spandex set and it’s just in the past three decades that we’ve really let in the serious Graphic Novelists and autobio peddlers. Sneering intellectual jokesters will spit at the funnybooks without recognizing the origins of that alternate name and basement dwelling dilettantes will tell you it was only when the bearded British men came to our shores that we got hip. But comics have always been weird. Comics have always contained multitudes.On a weekly basis at the start of the 20th century, Winsor McCay cranked out surrealist panel breaking masterpieces lushly detailed enough to inspire both Dali and Moebius decades down the line, with nary a cape in sight. Before Marvel was even an idea, Joe Simon and Jack Kirby created romance comics, presaging the soap operas that would eventually inspire Chris Claremont’s convoluted narratives in that other misbegotten Kirby co-creation X-Men. And then there was Herbie. Continue reading…
Posted August 12, 2014
Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ (1984) and Breakin’ II: Electric Boogaloo (1984). He also produced: Jean-Luc Godard’s King Lear (1984), The Company Of Wolves (1985) Barfly (1987) and Street Smart (1987). The New York Times, The Dissolve and The AV Club have obituaries. Cinemablend examines Golan’s influence on Hollywood. Here is a segment from a BBC documentary on Menahem Golan and Cannon Films.