You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, The Prisoner, and it being cultural and all, Benny Hill. Unlike many, however, I seem to be one of the few people who came into the show not during an airing of the iconic Tom Baker years, but rather during the tenure of the man with the velvet smoking jackets and Venusian aikido. The Third Doctor, Jon Pertwee, was my introduction to Doctor Who, and he remains my favorite. Continue reading…
This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, Chris Szego dallies with romance, alex MacFadyen stares deeply into the screen and Keith Allison probes science fiction.
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Recently I moderated a panel discussion on CanLit and the SF/F genre and it got me to thinking. Specifically, it got me thinking about memory. And that’s because if there’s one thing modern Canadian literature is full of, it’s memory. Years ago (a decade, mebbbe?) an industry journal published a chart detailing the subjects of that season’s big-bet books. It was a tongue-in-cheek piece, but it turned out that some ridiculously high percentage of the ‘must read’ novels were all about memory. Ha, it’s funny ’cause it’s true! Next to identity, memory is one of the themes that helps define a distinct Canadian Literature.
Here’s the thing, though: that’s not just true for CanLit. All stories are about memory. Continue reading…
One night, when I was poking around on the internet for something mindless to play, I stumbled across a game called Naked Woman (Steep Hill). The description: “Control the fate of a naked woman riding down a steep hill. 20 options decide her doom. Feel free to suggest any other fates she can face!” My response was something akin to watching a horror movie between your fingers – I had a feeling that I’d wish I hadn’t seen it but I couldn’t quite bring myself to look away.
“No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs. Pursuing these reflections, I thought that if I could bestow animation upon lifeless matter, I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption.”–Victor Frankenstein, Frankenstein, or, The Modern Prometheus: 52.
“The answer was so simple I was too smart to see it.”–Princess Bubblegum
Prepare yourselves once more to venture a little further into Adventure Time‘s Candy Kingdom and Mary Shelley’s Frankenstein. If Lemongrab is Frankenstein the creature, how does Princess Bubblegum compare to Frankenstein the creator. Well, beyond the question, “Who would win in a fight, Victor Frankenstein or Bonibel Bubblegum?” We all know that Princess Bubblegum would win. Continue reading…
Posted September 23, 2013
And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”
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“The Fifty Shades Generator is a breakthrough in erotic fiction. At the click of a button, it generates world-class literature based on a pre-defined vocabulary.” Click away here. (via @vaginalfantasy)
Friend of the Gutter K.A. Laity has created a digital chapbook of her festive Krampusnacht story, “When Little Joe The Krampus Met, A Cautionary Tale.” Read the pdf or listen here.
Filmmakers Bruno Forzani and Helene Cattet made a four-minute video essay on director Dario Argento’s films for the French television channel Arte. via @Popshifter
At Atlas Obscura, Al Ridenour writes about the Krampus, Krampusse, Perchten and LA’s upcoming Krampusfest.
At Pulp Curry, Andrew Netter reviews, KL Noir: “Kuala Lumpur may not seem like the most obvious place to set an anthology of noir fiction. On the surface, at least, it has a reputation as an orderly, well behaved city.
But if this book is anything to go by, a lot is going on under the surface.
KL is a city crawling with horrendously exploited migrant workers and angry ghosts, a place where breakneck economic development and rampant consumerism has left many of its citizens with no other social outlet than wandering shopping malls, and which is governed by a highly authoritarian ruling party that has clung to power for over half a century.”
Nancy Collins interviews Devon Grayson and Gail Simone about Red Sonja, fantasy, gaming and Dynamite’s upcoming, Legends of Red Sonja.