Last February, Todd Stadtman and Tars Tarkas invited me on the Infernal Brains podcast to discuss space ladies with them. We covered a lot of films, but I didn’t get to one film Todd suggested we watch, Darna Vs. The Planet Women (1975). I finally did recently and he was so right—Darna Vs. The Planet Women was a movie I needed to see. Since then, I’ve watched Darna And The Giants (1973) and Darna At Ding/Darna And Ding (1980). And these movies bring together so many fine things: a costumed comic book superhero, space ladies, supernatural creatures, black magic robots, disco fabulousness and the sassiness of Vilma Santos’ Darna. Continue reading…
This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, Chris Szego dallies with romance, alex MacFadyen stares deeply into the screen and Keith Allison probes science fiction.
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In the season one finale of AMC’s new series Halt and Catch Fire, the builders of the Cardiff Electric portable Giant computer gather around a conference table to read an unenthusiastically positive review of their new product. It is an unwitting apt reflection of my reaction to the show in general. What was touted, or at least what was expected to be, 1980s Mad Men with Computers ended up being just good enough to get me through the season relatively satisfied, but it never really clicks. It’s primary problem for me is the same problem I have with a number of shows: it is unwilling to commit to any emotion beyond reserved grimness.
Nothing good can ever happen to the sad sack quartet of Joe McMillan (Lee Pace), Cameron Howe (Mackenzie Davis), Gordon Clark (Scoot McNairy), or Donna Clark (Kerry Bishe). Every minor victory, every shred of happiness these four might attain in their quest to build a portable clone of an IBM computer in the wild, early days of microcomputing, must be countered by a sledgehammer negative consequence. Every tiny victory must be followed the very next scene by a mental breakdown, a betrayal, a professional disaster, or even just a bloody kitchen accident. It soars past Shakespeare into the territory of pure Greek tragedy as each Sunday night, vengeful gods strive to grind these four people into oblivion, and along with them, the viewers. Continue reading…
Stories are important, we all know this. I hasten to add: and they should be fun too, otherwise why bother reading them? Every once in a while, I run across a new author that balances “something to say” and “have fun saying it” in a way that really appeals to me. This year, that author has been Carrie Vaughn.
Last summer, the repairman who came to patch my kitchen ceiling, discovered I read comics and then kept asking me about different blockbuster superhero movies and shows. And I’d keep saying I wasn’t very interested. He stood on the ladder, shaking his head in a reverie, saying the superhero movies were like candy to him and “I can’t get enough.” Then he explained that Superman was boring and Wonder Woman was a bad character.
He has so much candy he can’t even taste it anymore.
I’ve been thinking about this as my tastes become more out of sync with the fandom mainstream. With comics, I’ve always enjoyed marginal characters. It doesn’t surprise me with my movie taste in general, but it’s strange to feel disinterest in the whole summer blockbuster thing, despite a long-standing love of explosions, fights and scrappy underdogs doing the right thing. In fact, I’ve been enjoying those more in movies like Machete Kills or Fast & Furious 6 than in superhero movies lately. But I’m not entirely surprised that Punisher: War Zone (2008) is the film that pulled me out of my superhero movie malaise. Continue reading…
Posted September 10, 2012
At Gameranx, Ian Miles Cheong addresses more kerfuffling in the gamer community over Anita Sarkeesian’s “Tropes vs. Women in Video Games” and explains where the project’s at.
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Of Note Elsewhere
The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.
A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)
Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To Marry A Millionaire (1953), The Fan (1981), she appeared in Misery (1990) and voiced the Witch of the Waste in the English language dub of Howl’s Moving Castle (2004) and the Gray One in the English language version of Ernest and Celestine (2014). The Guardian and The Los Angeles Times, have obituaries. The Hollywood Reporter collects responses and remembrances. Julianne Escobedo Shepherd writes that “What I love about her is the intelligence and pluckiness that defined her acting and her life. That is what we should be most remembering — her talent, her strength, her fierce essence—the elements that made her an icon of the silver screen.” Here is Bacall’s 1994 interview with Charlie Rose.
Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)
Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few. The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne & Shirley and directing him in Awakenings. Marc Maron reposts his interview with Williams on Maron’s WTF Podcast. And here are a few of his less mentioned, darker films: Death To Smoochy (2002); One Hour Photo (2002); Insomnia (2002); The Secret Agent (1996) and World’s Greatest Dad (2009).
Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).