At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”
Posted April 30, 2013
At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from advice on how to make and celebrate your favourite characters via cosplay – it was for being a website where people enjoyed being immersed in their favourite culture.” We’ll miss Comics Alliance, too.