Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”
Posted August 4, 2011
Despite my whinging last month, I do in fact both read and love a lot of young adult Romance. I may not be fond of the ‘Supernatural Boyfriend of the Week’ subgenre (and no, Stephanie Meyer did not invent it; it’s been out there for decades), but that still leaves me with a large field full of great books. This is a great time for YA books in general, so it makes sense that there’ll be some top notch Romances among them.
What sets the best stories apart is the same in YA as in adult Romances: an orignal voice, good plotting, thorough characterization. What makes YA Romances so particularly appealing, besides nostalgia, is their scope. YA protagonists are by nature deep in the process of figuring things out. They have family, friends, and a beginning to get a taste of the freedoms and fetters of adult life. They are stories about people coming into their own, and finding love is often a part of that. And, of course, they should all pass the Bechdel test.
Here is a small sample of the good stuff.
I came at Ann’s tremendous book The Sisterhood of the Traveling Pants from the other side, by which I mean I saw the movie first. Enjoyed it quite a bit, too. Enough that I sought out the book… which truly astonished me. The movie was good; the series is extraordinary. Each book is not one story, but four, and the main characters grow and change in deeply personal and believable ways. Far more than the sum of its parts, the ‘Sisterhood’ series is beautifully chronicled record of friendship and love.
Meg shot to fame with The Princess Diaries, the charming and comic adventures of Mia, a young American girl who has to deal with her newfound status as heir to a European throne (be warned: in the books, her grandmother is nothing like Julie Andrews). While not every book in the set is as strong as the first few, all share the same funny, confessional style, and through the course of the series readers watch Mia grow from an insecure teen into a young woman who is, in her own words, self-actualized. I also loved Avalon High, Cabot’s modern high-school take on the Arthurian mythos. Which, considering that I stopped reading all things Arthur decades ago*, is praise indeed.
Cashore’s first novel, Graceling, is a Fantasy (and an excellent one), but amidst the original world-building, there is a central Romance that changes the course of the main character’s life. Katsa is the King’s niece, and his dark right hand. But when she meets the nomadic Prince Po, her determination to be more than just a thug and killer coalesces into action. Cashore’s voice is deceptively simply; the story is tight and action-packed, and the book itself is truly wonderful. Cashore’s second book, Fire, proves her to be a writer to treasure.
When a prophecy reveals that the Prince will marry a girl from her tiny mountain village, Miri and all the other girls of age are removed from their homes in order to learn the deportment, etiquette, and court savvy they might need. In any other hands, Princess Academy could have been a makeover diaster: in Hale’s, it’s utterly gorgeous (and was a Newberry Honor title). Her prose is lush; her plot is sound; her characters are real people. And hey, any story about a girl who saves her village through the power of economics is one I want to read.
I’m pulling Dessen out of order here because, well, she wrote The Truth About Forever, which is currently my favourite YA Romance. I’ve read it at least ten times, and it never loses its power or beauty. Macy’s father died suddenly, right in front of her. More than a year later, she is finally beginning to emerge from her grief. As she beings to reach out to the world again, she meets Wes, a young man who has weathered difficulties of his own, and who knows something about the nature of forever. I’m not doing justice to Dessen’s tender voice, her amazing characters, or the sheer power of the story. Also, she writes real families. They’re not perfect; they’re real. They try, and fail, and love each other, even when they can’t understand or deal well with one another. If you have to read one book on this list, this is the one.
Megan Whalen Turner’s fabulous Queen of Attolia (though you have to read The Thief first); Eva Ibbotson, for her sweetness and clarity. Nancy Werlin, though not many of hers are strictly Romances. Scott Westerfeld, who writes amazing adventures. Sharon Shinn; E. Lockhart; John Greene; Maureen Johnson; Jaclyn Moriarty… the list goes on and on.
If you’ve got recommendations, I’d love to hear them. Really. I’m always looking for my next favourite book.
*I run an SFF bookstore: I had to stop reading The Matter of Britain for the sake of my sanity. Not because I don’t like it, but because I do.
Chris Szego kinda liked the Princess Diaries movie. The first one, anyway.