The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Whine. And Cheese.

Chris Szego
Posted July 7, 2011

Shakespeare claims it’s April, psychologists say it’s December.  But I think July is the cruellest month.  It’s hot; it’s grossly humid; I never manage to swing a proper holiday.  This year I have the added irritant of lacking air-conditioning both at home and at work.  Argh.

Thus, July find me as grumpy as a grated badger.  Which makes this the perfect time for the annual roundup of things that annoy me in the Romance genre.  As usual, this list is personal, highly biased, and about trends rather than specific books.

Urban Fantasy

That sounds misleading.  In fact, I love me a good urban fantasy.  I’m dancing with impatience for the new Jim Butcher novel (note to other anxious readers:  it’s due at the end of the month).  Adding a fantasy element to the here-and-now allows mythology and action to play off one another in unusual and exciting ways.

But Urban Fantasy is just that:  a Fantasy set in a city.  An Urban Fantastic Romance is more likely called a Paranormal, and I’m having some trouble with them at the moment. Specifically, with the sameness of them.  That’s a strange thing to say about a genre that relies on the appeal of a specific formula, I know.  But it’s not the sameness of content that bugs me; its the sameness of ornament.  The iconclastic characters.  The hunter vs hunted society.  The noir-like idea that the city is teetering on the edge of barbarism, and the heroine (or sometimes hero) is holding back the growing darkness with everything she’s (or he’s) got.

As a Fantasy, that’s a decent starting place.  But since a Romance is actually about the developing relationship between the two main characters, the Paranormal trappings usually become just that:  trappings.  When the archetypes of Urban Fantasy become boxes to check off, their power is seriously diluted.  While saving the world, you can have a romance in the spare moments around the edges of the action.  The converse rarely rings true.

One last whinge:  why is it that only the dark magics seem to get any page time? After all, unless physics has gone entirely off-line, for every action there will be an equal and opposite reaction.  If demons and the Dark Sidhe and goblins are all real,  so too must be angels and guardian dragons and unicorns.

Steampunk

Years ago I complained about Scottish Romances just hitting the marks of  plaid, heather, and brogue.  If you substitute corset, goggles and gears, and the exact same thing can be said today about Steampunk Romances. Steampunk is an aesthetic. A cool aesthetic, sure, and one that offers lots of intriguing possibilities. But it’s not a plot.

Zombies

To be fair, this one isn’t really about the Romance genre, as the shambling undead don’t easily lend themselves to Romance, what with the stench, and the bits falling off, and the eating of brains and such.  Of course there are a few Zombie-Romance anthologies:  they just prove Rule 34A*.  But this particular peeve is about the rising subgenre that plonk zombies into the middle of public domain stories. Seth Grahame-Smith’s Pride and Prejudice and Zombies started the parade.  Fine.  The first one’s always different.  But by this point, Austen has been most distressingly  be-monstered. Along with Shakespeare; Twain; Tolstoy; and Alcott. Not to mention actual historical figures; several kings and queens, and even children’s primers like Dick and Jane.  And then there are the original zombie stories, the wars, the apocalypses, the survivors, and so on…

As a bookseller, I implore you:  Enough with the zombies already!  Please, just stop.

Supernatural Boyfriend of the Week

This isn’t an actual subgenre, but an admittedly-snide label I apply to a certain class of Young Adult Romances.  You can guess what kind, right? Yeah, it’s the kind in which a girl meets a strange and wonderful new boy, who turns out to be a vampire/ werewolf/ fae/ angel/ merman/ demon/ magic user/ dead/ etc.  Again, as a basis for a story, it’s a fairly solid platform.  But the execution is often annoying. Especially when, in book two, another wonderful boy shows up, who is a shapechanger/ shaman/ wizard/ necromancer/ hunter of the first boy’s kind/ etc.

I want to emphasize that my carping does not mean I dislike YA, or YA Romances. Nothing could be further from the truth.  In recent years, most of the books I’ve loved best have been YA, and many of those contain wonderful romances.  It’s the after-school-special feeling of SBoTW stories that bugs me.  This type of story usually substitutes melodrama for emotion, and that just makes me tired.  I want to tell the characters to grow up.  To think for ten minutes, instead of emoting.  And while they’re at it, to get off my damn lawn!

 

*Rule 34A:  If it exists, there will also be a Romance about it.

 

 

Chris Szego is grumpy.  Obviously.

 

Comments

7 Responses to “Whine. And Cheese.”

  1. ProfessorMortis
    July 7th, 2011 @ 7:03 pm

    Please, please, please someone stop the zombies.

  2. Carol Borden
    July 7th, 2011 @ 7:32 pm

    Professor– i’ve had zombie fatigue since 2007 and there’s still no end in sight.

    Chris– i especially love this, “Thus, July find me as grumpy as a grated badger.” great line, great image.

  3. Chris Szego
    July 7th, 2011 @ 9:32 pm

    Zombie fatigue is exactly right. Who knew it was such a contagious condition?

  4. Carol Borden
    July 8th, 2011 @ 7:51 pm

    I actually went back and included the “zombie fatigue” tag on this.

    In the zombie romances, do people try to snatch moments of love in the midst of a zombie apocalypse/plague?

  5. Anne
    July 11th, 2011 @ 1:00 am

    I too love “grumpy as a grated badger”. Classic!

    As I am on vacation in California (and am also fed up with the zombie festival of gore)I have to share with you the the demand of vegan California beach bum zombies for “grains, grains, grains”…

  6. CCBC
    July 11th, 2011 @ 10:25 pm

    Um, Shakespeare? It was Eliot, riffing on Chaucer.

    But I agree that there should be a zombie moratorium.

  7. Chris Szego
    July 12th, 2011 @ 2:22 pm

    You’re totally right! That’ll teach me to be so lazy.

Leave a Reply





  • Support Gutterthon 2015!

  • The Book!

  • Of Note Elsewhere

    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

    ~

    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

    ~

    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

    ~

    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

    ~

    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

    ~

    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: