The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Back to the World

Keith Allison
Posted March 20, 2014

fw-bugI once read an interview with a man who was involved in some of the bloodiest fighting during the Vietnam war. This particular battle he fought, watching friends and compatriots killed while he and they tried to kill in return, and then a day or two after it was over, so was his tour of duty. Within 72 hours, he went from foxholes and firefights to standing on the tarmac of an airport back in Oklahoma or Missouri or wherever it was he was from. Within 72 hours, he went from combat to needing a lift into town, where he would have to find a job and pick up civilian life as if nothing had changed. He had been trained, if somewhat haphazardly, for the war. He had not been trained, however, for it to end.

I have no idea if his story was true, but it was certainly true for someone.

Author Joe Haldeman was himself a veteran of the Vietnam War, and his 1974 novel The Forever War is science fiction based on the American Vietnam experience, military science fiction that would be more suited to Buffalo Springfield and Jimi Hendrix as its soundtrack than synthesized epic choral music. Military sci-fi is one of those sub-genre designations that conjures up a very specific type of story for me. The blood and guts space battles of David Weber’s Honor Harrington books, or the “Horatio Hornblower in space” adventure of David Drake’s RCN series. However, I have to remind myself that it can be a more complex style of storytelling than simple tales of massive battles and old-fashioned swashbuckling but in space. One of the foundation works of military science fiction, The Forever War takes military science fiction in a much different direction, highlighting the dubious morality, the human casualties, the manipulative politicians, and the way combat experience can make it impossible for veterans to readjust to civilian life.

forwarThe set-up is simple and familiar enough: humanity stumbles into first contact with an intelligent alien species, and things go horribly wrong. War breaks out. Sort of. One of the things that sets Haldeman’s tale apart from similar stories is his basic grasp of “time dilation,” the warping of time that happens the closer something comes to the speed of light. Thus, as Earth’s soldiers set out to do battle via cruises that take months to complete, decades pass on Earth. Men and women who fought two or three battles become revered veterans who have, relative to some, been fighting for hundreds of years. And being outfitted with weapons and technology from the year in which you departed means you could be facing an enemy who has had a hundred years or more to advance and revise their own technology and tactics by the time you arrive, even if it only seemed like months to you.

The Forever War is often compared to Robert Heinlein’s Starship Troopers, since both are told in first-person and both are about humans fighting an alien enemy about which they know almost nothing. For my money, Haldeman’s book — and his protagonist — is much more relatable. It reminds me much more of Catch 22 than Starship Troopers. Through the protagonist Mandella’s eyes, the story is told in an almost laid-back manner, full of self-deprecation and doubt, gallows humor and grim violence. Mandella is not a gung-ho soldier; he’s just some guy. He gets drafted into the elite corps not because of his fighting prowess, but because he’s good at physics (Haldeman himself was a combat engineer), and the military figures that sort of stuff will be important if you’re fighting in space. Almost all of his training ends up being useless on the battlefield. He succeeds in war and rises through the ranks not because he discovers the hero within, but because he is lucky — or at least less unlucky than those around him.

Without noticing its happening, one becomes emotionally invested in Mandella and his fellow soldier and lover (canoodling between troops is actually encouraged; keeps people from going insane on long space voyages) Marygay Potter. Military sci-fi can be a blunt instrument, whether it’s for war, against it, or just wants to tell an adventure story. The Forver War isn’t subtle, but it paces itself slowly enough to sneak into your emotions rather than trying to bludgeon its way in. When Mandella and Marygay return to an Earth they fought to protect, and that has aged decades when they’ve aged months, they are unable to adjust. When they re-enlist, they are cheated. When a bureaucratic blow is dealt to their relationship, it’s devastating, one of the most successful emotional moments science fiction has ever produced.

Although it’s not science fiction’s job to be prescient, The Forever War ends up having multiple meaning. Most obviously, it’s the story of a war that drags on for centuries even though in relative time it’s only a few years. A level below, it’s an expression of a sentiment held by soldiers in Vietnam, that the damn war was never going to end. Both of those were intentional on Haldeman’s part, but who knew over forty years after the last American chopper left Saigon that we’d still be fighting the Vietnam War? When John Kerry ran for President in 2004, the campaign was about the Vietnam War. George W. Bush had his own Vietnam ghosts (or lack of them) come back to haunt him. Cable news pundits still attack Hanoi Jane.

But the younger generation doesn’t get off scot free. Since 2001, we’ve been locked in a new, seemingly forever war, one with such open-ended, vague, and malleable goals that it seems not only will it never end; but no one even knows how to end it, or what it means to win or lose. The difficult to use and often faulty power armor Mandella and the troops wear reminds me of all the scandals surrounding American troops in the Middle East being saddled with inferior — or no — body armor. Stop-Loss was no different that bureaucratic tricks used to snare Mandella, Marygay, and others into virtual lifetimes of active combat duty. The Forever War remains relevant, unfortunately, even to a generation for whom Vietnam is nothing but a paragraph in a textbook.

Comments

4 Responses to “Back to the World”

  1. DensityDuck
    March 21st, 2014 @ 3:23 am

    I drove over a piece of trash in the road the other day. It occurred to me that there are thousands of men and women who now have a conditioned panic response to driving over trash, because that’s where the bombs were.

    I’m not sure what that means, but it means something.

  2. DensityDuck
    March 21st, 2014 @ 3:26 am

    It is interesting, as well, to compare this to “Ender’s Game”. Because both this book and that one grew out of short stories the authors had done in the preceding years.

  3. ProfessorKettlewell
    March 23rd, 2014 @ 10:16 am

    Interesting-sounding stuff, which I’ll check out when I have a moment.

    I’m always interested in how writers use time dilation (gentle correction here – time dilation is the compression of time, and is an implication of Special Relativity which can be readily understood with basic arithmetic. Warping is a theoretical outcome of some of the implications of General Relativity, which you need to know about partial differential calculus to really understand. My grokkage failed about 2/3 of the way through my course, so I’d better shut up now.) as a narrative tool – completely by coincidence, I was watching “Dark Star” and listening to ‘Pioneers over C’ by Van der Graaf Generator this week, both of which are concerned with this idea. It’s also used to heartbreaking effect in the forth, and last episodes of “Gunbuster – TOP wo nerae!”. But as a metaphor for the Vietnam war, it seems particularly appropriate – while time slows down to (literally) walking pace in the jungle, it progresses faster and faster in The World. The situation in the U.S. in the summer of 1966 bears no resemblance to the summer of 1967, and the differences grow further and further apart through 1968 and 1969, almost as if the conflict were actually approaching C.

    The business about faulty or inadequate equipment would seem to be a very explicit reference to the introduction of the M-16 to replace the M-14. Depending on who you believe, either the early ’16’s were hopelessly foul-prone and fragile in a muddy jungle environment, or else the troops were deliberately misiniformed about how to field-strip their new weapons on the instructions of old-school officers who disliked the whole concept of the small-caliber assault rifle and wanted to make Stoner’s design look bad.

    A similar story concerns the introduction of the F-4, which was designed without a gun because it was assumed that A2A missiles would do the job – they didn’t, and the Phantom (which was never designed as a dogfighter in any case)were routinely outfought by the MiG-17.

    Both of these problems were very rapidly fixed by the U.S, but a bad rep is a hard thing to get back,

  4. Back to the World | Mysterious Order of the Skeleton Suit
    April 8th, 2014 @ 4:02 pm

    […] full article > […]

Leave a Reply





  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

    ~

    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

    ~

    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

    ~

    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

    ~

    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

    ~

    Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: