I don’t remember how it was I first came across Adam Adamant Lives!, though I suspect it was the culmination of a plot put into motion the day I was born, my sole purpose for existing being so that I might one day discover a British television show about a swashbuckling Edwardian gentleman adventurer who is frozen by his mortal enemy and revived in swingin’ sixties London, at which time he teams up with a hip young woman and resumes his life of derring-do and crime-fighting. It’s as if the creative team at the BBC sat down one day and thought, “Well, some day Keith Allison going to be born, and he’s going to want to see this show.” Continue reading…
Napoleon’s invasion of Russia was a gruesome historical tragedy; or, a colossal act of hubris that cost the lives of 400 000 soldiers. Sounds like the perfect milieu for a vampire feeding frenzy! Jasper Kent’s Twelve is an odd mix of historical novel, horror, and, of all things, a somewhat too close examination of torture.
I’ve been a bit out of steam on pop culture lately. On a whim, and maybe as a way to recapture how I used to discover books when I was a kid, I grabbed two books off the shelf at my local library, and jumped into them blind.
Among Others by Jo Walton just won the Nebula Award for best novel, and Seanan McGuire (in combination with her pseudonym Mira Grant) was just nominated for four Hugo awards in one year, a new record. I figured I should take a look at Walton’s book, along with something by Grant (I ended up reading […]
It’s a classic set-up: humans are exploring space and receive a mysterious signal. Time for first contact! A.C. Crispin takes this familiar idea and runs with it in StarBridge, a smart and fast-paced novel from a few years ago, now released as an ebook for the first time.
Recent fantasy novels seem to spend a lot of time describing their magic systems – who can use magic? how does it work? and at what cost to the magic user? C.J. Cherryh’s Rusalka is, in most senses, no exception to this, since these questions are answered quite clearly. That said, Cherryh’s answers have some […]
Or the thirtieth or the fortieth! What happens to your experience of a genre work, ordinarily somewhat disposable, when you read or watch or listen to it multiple times? Most of the time, your brain turns to mush, or you tune out altogether, or every little thing about it becomes an irritant. But what if […]
Some books just grab a hold of you and never let go. The subject matter could be almost anything, from a big fat fantasy to, say, building a cathedral. Or rabbits! On the short list of absolute classics, Watership Down by Richard Adams, a story of rabbit life in pastoral England, takes pride of place […]
Sci-fi author Rudy Rucker has been busy, with four books that have come out in the last year or so. I’ve just finished reading his autobiography, Nested Scrolls, and it’s hilarious, insightful, and just about as science-fictional as his novels. You really can’t go wrong with Rucker’s books.
With killer robots, underground societies, international con artists (one a man, one a genetically engineered dog), and a very dangerous far future Moscow, what could possibly go wrong?
Foreshadowing is tough: too subtle and the author’s effort is wasted, too obvious and the readers will figure out the setup way too early. Patrick Lee’s The Breach is a master-class in taking the obvious setup and blasting your face off with the thing you thought you were expecting.
I like a clean, focused narrative as much as the next person, but there’s an undeniable entertainment value in the messy and sprawling kind too. Science fiction has a long history of welcoming the second kind of book, and David’s Brin’s Earth, an ecology epic from 1990, is a fun example of this type.
Let’s smash some genres together! Today it’s urban fantasy meets the murder mystery, and, at first glance, it’s a meeting of true minds.
Two great scifi writers, Robert J. Sawyer and Robert Charles Wilson, just published concluding volumes in their respective trilogies. Other similarities: both are Canadian, both have won Hugos, and their latest books are quite intriguing.
Call me an online oddity: I ran out of steam, years ago, on doing the whole harsh-criticism thing in my review work. For a couple of reasons, summarized as “enthused librarian who points elsewhere for sad talk.”
I just finished re-reading A Game of Thrones, George R.R. Martin’s first volume in his (currently very hot) fantasy series, and I quite enjoyed it. Looking back on my notes from my first read-through ten years ago, I was startled to discover that I found it ho-hum and/or offensive! What gives?
A confession: I’m having trouble making my way through Stephen King’s Under the Dome. I must also confess I’m a bit puzzled by this. I’m definitely a fan of King’s work. And from what I’ve read so far, this book sticks pretty closely to high points of his career. What gives?
Lately I’ve noticed a few examples of a trend: authors who got their start writing science fiction have switched to writing fantasy. Why might this be? Probably because it’s become a bigger market!
An iconic character in the earliest pulp novels and the latest multiplex blockbusters: the heroic space explorer, striding manfully forward, saving the natives, grabbing the treasure and the babes, and so on. What’s going on inside his head?
Since April is our wacky month, I decided to venture far afield, basically into the scariest minefield of cultural contempt that I can think of: reality TV.
Ever had one of those crazy months? I’m reposting an old article for that reason, with a few extra comments at the end… The dinosaur craze seems to be over, sorry to say. One last hurrah: Dinotopia: Journey to Chandara, the latest entry in the Dinotopia series, is out now. James Gurney wrote and illustrated […]« go back — keep looking »