The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Dark Tower, Videogame Soundtrack Edition

James Schellenberg
Posted November 29, 2012

Speaking from recent experience, I don’t recommend getting a cold/cough/(something virulent and archaic, like consumption?) that sticks around for 4-5 weeks. It kinda sucks. With reduced brainpower, I’ve been watching a lot of Rifftrax (“There can be only one?? You should have mentioned that earlier!”). Fun, but not much to say, except that, yup, Highlander deserves some snarky commentary.

However, I did play Bastion, a game from 2011 that’s on most platforms now (I played it on iPad). It’s really fun, and really Stephen-King-esque.

Now, it’s true that a lot of things are Stephen-King-esque (as Grady Hendrix says over at Tor.com: “Stephen King is such a part of the American cultural consciousness that there’s no point in debating his importance anymore”), but Bastion specifically reminds me of King’s The Dark Tower, which is a bit of a different beast than his more horror-focused works. I talked about The Dark Tower on the Gutter a while ago here.

The World that Moved On

Lots of pieces of Bastion reminded me of The Dark Tower:

  • The fact that you start with guns!
  • The fascinating soundtrack that’s a mix of Western and electronica: “acoustic frontier trip hop” according to Wikipedia
  • The narrator. King likes to use a Faithful Reader tone of voice, and while the videogame does some tricks with dynamic narration, it definitely has that tale-telling frontier vibe (you can find lots of Bastion clips on Youtube for a flavour of this)
  • But the biggest aspect is the crumbling world.

Fantasy likes to play with the crumbling glories of the past as a massive trope. I don’t think anyone else has taken it as far as King – in his world, distance and time and almost everything else are unreliable. In Bastion, the very ground under your feet has crumbled away. Granted, you as the videogame protagonist are bringing it back somehow (with your magic feet?). Sounds weird, but it definitely works, and I kept getting flashbacks to Dark Tower scenes as I was playing the game.

The Soundtrack of Your (Videogame) Life

I have quite enjoyed listening to the Bastion soundtrack on its own, which led me to try to track down some other videogame soundtracks. Indie games are pretty hot on this topic right now, going back a few years to Braid, and continuing to Bastion, and many others recently. Here’s a handy list of all the games that include a free soundtrack if you’ve purchased them on Steam (Fallout: New Vegas is just about the only one I had noticed before now).

I remember an awesome soundtrack for Grim Fandango, one of the grand old adventure games from the era when that genre was still around. As it turns out, the music was composed by Peter McConnell who has done tons of other videogame-related composition, and it’s available on the web. Think Mexican Day of the Dead meets big-band jazz. Also from the old days of videogaming, the soundtrack for Thief: The Dark Project was quite an interesting mix – maybe medieval beats of a Koop crossed with Ozzy Osbourne variety?

I’ll mention two other videogame soundtracks. An example that’s famous for its closing credits more so than its actual music would of course be Portal‘s Still Alive. I think I might be alone among Portal fans as not caring that much for Portal 2 or the Portal 2 song. I found the second game too aggressively wacky and I disliked the antagonist…  not in a supports-the-narrative kind of way but rather I-wish-this-was-over kind of way.

Bastion, Portal, and all the other soundtracks that people like to argue about online – none of them match up to the all-time greatest (in my humble opinion!). Katamari Damacy of course! Nothing quite has that same catchy, infectious upbeat vibe, and that’s probably because not many other games have the same catchy/infectious/upbeat gameplay. No shooting, no killing, just pure fun. I’ll link to Youtube again because you have to hear it, today, right now.

So if you’re back from Youtube, or if you were already familiar with the Katamari visual flair, you’ll find my next statement a little unbelievable. But here it is: the music for the next games in the Katamari series got too wacky for me, compared to the solid and perfectly balanced initial entry. I should clarify that though. Yes, the visuals in the Youtube video above are like an amped up parody of a dream of a hallucination, but the music itself is lovely and catchy, and very nicely proportioned (if one can say that about a song). Visually, the idea is a bit of an assault, but it’s carried along by well-crafted and maybe even somewhat normal (at times) music. It seemed to me that the subsequent soundtracks amped up the wacky factor, and never stayed as grounded in catchy tunes as the first one. Yup, it’s fun to listen to the theme song redone with sampled barn animal sounds (credited to “John the Dog, Bigmouth the Duck, Yuuhi the Crow, Pe the Goat, Booby the Pig, Sexy the Cat, and Nyuu the Cow” of course!), but maybe only once.

Comments

2 Responses to “The Dark Tower, Videogame Soundtrack Edition”

  1. Trey
    December 1st, 2012 @ 2:15 am

    This may be More Information Than You Require, but the Katamari Damacy soundtrack reminds me a lot of Shibuya-Kei, a Japanese pop subgenre from mid- to late 90s or so that mixed Big Beat with 60′s jazz, soundtracks, bossa nova, that kind of thing. That catchy upbeat vibe can be found in stuff by Fantastic Plastic Machine and Pizzicato Five, among others. Cheers!

  2. James Schellenberg
    December 1st, 2012 @ 7:37 am

    Thanks Trey, I’ll see if I can find those!

Leave a Reply





  • The Book!

  • Support The Gutter

  • Of Note Elsewhere

    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

    ~

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

    ~

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

    ~

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

    ~

    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

    ~

    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: