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Steven Landry

Keith Allison

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Inga Gorslar

Andrew Nahem

World of Hurt Online

Unreasonable Action

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Evan Munday

Drew Davidson

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Ignacio Gallup-Diaz

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Rebecca Saxon

Ross Chen/LoveHKFilm

Jess Moviedromedvd

Matthew Dunn

Timothy Gerolami

John Pivovarnick

Staring Blankly

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Kate Laity

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Skeeter Panes

Markaleng

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Miguel Rodriguez

Hannah Means-Shannon

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Leonard Witzel

Todd Stadtman

Rainer Knäpper

Adam Axbey

Hal Kelly

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Robert Mitchell

Igor Galić

Lewis Cougill

Brad Doiron

Dena Maxwell

Mark White

Matthew Finch

Deborah Rodriguez

Pornokitsch

Kevin Pyrtle

Kenneth Brorsson

Jennifer Smith

The Deseret Federation of Sparkle Vampires, Local 1830

In Loving Memory of the Notorious Big Tiny

Mentor’s Camper

Beth Watkins

Henriette Fiebig

Angela Englert

Citizen Screen

Valerie Polichar

David DeMoss

Free Republic of Yeti Land

Amanda Tveidt

Elizabeth Simmins

The League of Lesbian Vampires

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senadit

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Trey Lawson

Heather Marie Drain

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Col. Beauregard “Cracker” Zombihunta

Henriette Fiebig

Jill Blake

Franz DeNinis

Ian Driscoll

Joe Ortiz

Kerry Fristoe

Mahometan and Celestial

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Torbjørn

The National Socialist Gothamite Dark Knight Party

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  • Of Note Elsewhere

    At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether that attempt is successful or not, Pandora’s Box of possibilities can flourish.”

     

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    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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