The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Lorenzo Semple

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Screenwriter and creator of the Sixties Batman television series Lorenzo Semple has died. Besides Batman, Gutter readers might know Semple best from his screenplays for, The Parallax View, Flash Gordon (1980), Papillon, The Drowning Pool, Never Say Never Again, Sheena, and King Kong (1976). The Los Angeles Times,  The Hollywood Reporter and Comics Alliance have […]

Vic Armstrong on Buster Keaton

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Stunt performer Vic Armstrong talks about the stunt work of Buster Keaton. (via Graham Wynd)

“The Fleming Files”

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At Teleport City, The Gutter‘s own Keith examines Ian Fleming’s historical and fictional lives in espionage. “There were many British celebrities who dabbled to some degree or other in intelligence work during the war: Fleming, of course, but also entertainer Noel Coward[,] occult fiction author Dennis Wheatley, even notorious Ordo Templi Orientis leader Aleister Crowley […]

Interview with George Lazenby

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The guys at The Daily Grindhouse interview with George Lazenby, star of On Her Majesty’s Secret Service, and The Man from Hong Kong, aka, Dragon Flies.

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)

The Spymaster and The Cuckoo

“This, then, is the story of Maxwell Knight—the man called M—and a cuckoo called Goo. Knight was a tall, patrician British intelligence officer in charge of MI5 departments dealing with counter-subversion on home ground. And yes, as ‘M’ he was the inspiration for James Bond’s controller.” Helen MacDonald recounts the story in an excellent piece. […]

The Suits of James Bond

A website dedicated to fab fashion and 007. (thanks, @World_Of_Hurt)

The Dark Knight and the Bitter Tears of Alfred Pennyworth: Batman and Realism Part 2

This week Screen Editor alex MacFadyen and Comics Editor Carol Borden continue discussing The Dark Knight Rises. We both like Batman and we’re fascinated by how many different Batmans there are. Even though there are things we like about the film, we want to figure out what is it about The Dark Knight Rises‘ Batman […]

Meeting A Film On Its Own Terms

Matt Stoller Seitz writes about meeting a film on its own terms, suspending your own disbelief and watching From Russia With Love and Singin’ In The Rain with audiences who wouldn’t or couldn’t do either. (Thanks, @DriveInMob)  

RIP, Bob Anderson

Olympic fencer, sword master, stunt choreographer, performer and actor, Bob Anderson has died. Anderson performed Darth Vader’s lightsaber battles in The Empire Strikes Back and Return of the Jedi. Her served as sword master, fight coordinator and stunt performer in films such as 1953′s The Master of Ballantrae featuring a swashbuckling Errol Flynn, The Princess […]

“Chaos Cinema: The Decline of Action Filmmaking”

In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief.  It bludgeons you until you give up.”

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences.

“Tomorrow Never Say Never” Starring George Lazenby

The Random James Bond Movie generator gives you a title, a plot and a particular Bond. (Also provides book titles).

How Hollywood Killed Stunts

Salon has an excellent piece on the death of stunts in Hollywood movies, exploring everything from the history of film stunts, the reliance on CG effects and new-fangled “intensified continuity” editing. The piece also mentions Michelle Yeoh, Tony Jaa, Zoe Bell and Yakima Canutt. (Thanks, Brian from Shelf Life CC).

Heroes vs. Villains

It might be Round 7, but it’s not too late to particpate in Cinematical’s Heroes vs. Villains tournament. Vote here.

Cantopop Covers

Did you know that the theme to “For a Few Dollars More” had lyrics? Cantonese pop star Josephine Siao did. You can hear it and her version of “Goldfinger,” too, thanks to Soft Film. (via 4DK)

The Sound of Our Impending Future!

Teleport City is preparing the way for the future and/or retro-future we’ve all been waiting for. Pack your go-bag to “Music for Departure Lounges” and taxi your way on out with “Music for Espionage and Space Defense.”

Indonesian James Bond

James Bond, 007 contra Komplotan Pistol Emas. That’s right, scans of a 1967 Indonesian comic version of The Man with the Golden Gun by Ganes TH. You might like it more than Roger Moore.

Bond, Jane Bond

Back in the day, HK studios assumed films with male leads couldn’t cut it in the theaters. So during the 1960s spy era, Hong Kong had Jane Bond films featuring masked spies in catsuits way before Maggie Cheung in Irma Vep. TarsTarkas gathers the resources all in one place, all you have to do is […]

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    “To celebrate the 25th anniversary of [Mystery Science Theater 3000]’s national debut, Wired presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me…” Read it here. (Thanks, Less Lee!)

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    The fashions of The Cosby Show are reviewed at Huxtable Hotness.

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    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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