The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Boy Band Madrigal

Benny Nemerofsky Ramsay performs–as a boy band–the madrigal, “Come again sweet love”  written by John Dowland. (thanks, alex!)

“The Pagan Pilgrim”

Ronnie Pontiac writes a fascinating essay on Thomas Morton, inciter of Puritans and founder of the Enlightenment Utopian experiment Ma-re Mount, “the American melting pot boiling hot” in the New World: “In May 1627 Tom decided to celebrate May Day with the locals. There would be food, drink, a maypole, music, dancing, and hopefully wenching; [...]

A History of Cinderella

Terry Windling recounts the history of the Ash Girl or Cinderella story from the 9th Century Yeh–hsien to the Disney film, Cinderella, based on Charles Perrault’s 1697 version.

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context.

Fantasy Armor and Lady Bits

An armorer has some suggestions about balancing functionality, character and story in “fantasy armor and lady bits.”

Disney Princesses in Period Dress

Illustrator Claire Hummel reinterprets Disney princess costumes to make them more historically accurate. (via The Bookshelves of Lesser Doom)

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  • Of Note Elsewhere

    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

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    A novelist takes revenge on writers he doesn’t like via wikipedia. Slate has the story. “Qworty’s edits undermine our trust in this great project. Qworty’s edits prove that Wikipedia’s content can be shaped by people settling grudges and acting out of spite and envy. Qworty alone, by his own account, has made 13,000 edits to Wikipedia. And Qworty, as the record will show, is not to be trusted.”

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