The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Lunar Mountains & Divine Spheres: 1,000 Years of Illustrating Outer Space”

Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)

One Million Images


“The British Library has uploaded one million public domain scans from 17th-19th century books to Flickr!” (Thanks, Kate!)

10 Comics I Liked In 2012

saga_8 reading thumbnail

Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

Vampires of New England

The Smithsonian Magazine investigates the vampires and vampire panics of 18th and 19th Century New England.  “In Manchester, hundreds of people flocked to a 1793 heart-burning ceremony at a blacksmith’s forge: ‘Timothy Mead officiated at the altar in the sacrifice to the Demon Vampire who it was believed was still sucking the blood of the […]


“Shot in Vancouver by one-time producer Clarence Neufeld and a cast of unknown exhibitionists, the adult monster spoof Sexcula is not only an almost lost piece of undeniably sleazy Canadiana, it’s also one of earliest monster movies made north of the border, a spoofy take-off on the Universal classic horror films.”  More at Canuxploitation!

Plea Bargains and Loveless Marriages

Scholars are combing digitized records from London’s Old Bailey and discovering fascinating trends in plea bargaining, divorce and bigamy in the 1800s.

Cartographic Curiosities

Step right up for your glimpse of Slate Magazine’s slideshow collection of cartographic curiosities!

Wouldn’t It Be Nice

Oh, to live in the era of the Regency Romance or the epic medieval adventure! Oh, except that life would suck: “No painless dentistry, eccentric provision for sewage, no penicillin and no concept of asepsis, and the condition of most women was not one that I aspire to.”

Crashing the Party

Wacked out prose, never to be repeated

Neal Stephenson’s Snow Crash is a book that requires some warning for unsuspecting readers: it’s so wacked out and demented that it’s beyond over-the-top and way beyond anything you can take seriously. The book works because you eventually realize that Stephenson’s approach suits the future that he is talking about. By throwing literary caution to […]

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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