The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Emily Dickinson’s Holiday Advice


Poet Emily Dickinson shares her advice for spending the holidays alone.

A Collection of Calaveras


The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment!

Black Victoriana


A gallery of photographs of people of African descent from the Victorian era. (Via Kit Marlowe)

“Tarantino Unchained”

Jelani Cobb considers Django Unchained and history at The New Yorker.  “Tarantino’s attempt to craft a hero who stands apart from the other men—black and white—of his time is not a riff on history, it’s a riff on the mythology we’ve mistaken for history. Were the film aware of that distinction, Django would be far […]

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

Batman vs. The French Revolution

“A hero can be anyone, even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know the world hasn’t ended.” “The mask is to show that Batman could be anybody.” Is saying anyone can be Batman the same as saying anyone can be a […]

“Joseph Merrick and the History of the Human Sideshow”

In anticipation of The Elephant Man Joseph Merrick’s birthday next month, Abebooks’ Avid Reader has compiled a short history of John Merrick’s life and a gallery of books about Merrick, sideshow histories and biographies as well as a few promotional cards from the late 19th century.

A Hero To Some

“He was a hero to some, a villain to others, and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: One was death itself… The other, the acrid smell of gunsmoke…” I’ve meant to write about Jonah Hex for a long time […]

Disney Princesses in Period Dress

Illustrator Claire Hummel reinterprets Disney princess costumes to make them more historically accurate. (via The Bookshelves of Lesser Doom)

Bootstrap Theory and Superheroes

‘It seems to me,’ said Booker T.– ‘I don’t agree,’ Said W.E.B. —Dudley Randall In February, I wrote a piece about how much I like Dwayne McDuffie’s writing. Sadly, a few days later, he died. I’m still stunned .  I feel like I’ve just begun exploring his work, so I decided to look for his […]

Kirkbride, Castles of the Midwest.

Kirkbride Buildings are the castles of the American Midwest. They’re also 19th century State Hospitals.

Abraham Lincoln, Vampire Hunter

Old Abe bears a terrible burden in the Abraham Lincoln, Vampire Hunter book trailer. 

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  • Of Note Elsewhere

    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


    ‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. These processes are discussed by Native scholars such as Grace Dillon (Anishinaabe) as “Indigenous futurisms.”’ Read more of William Lempert’s piece here and make sure click through to see trailers and films. (via @DarkMattersProj)


    The Atlantic profiles Max Von Sydow. “For a significant portion of his six decades onscreen, he has been the greatest actor alive. Now, in his 87th year on Earth, he may be on the verge of becoming a pop-culture icon. In December, he’ll be seen in Star Wars: Episode VII—The Force Awakens, in a role so fogged in mystery that the fan communities have been half-mad with anticipation. (Could he be Kanan Jarrus, the Last Padawan? Sifo-Dyas, maybe? Or—be still, my heart—Boba Fett?) Sometime next spring, he’ll be joining the high-attrition cast of television’s reigning fantasy-adventure franchise, Game of Thrones, whose almost equally febrile fans at least know whom he’ll be playing—a mentor character called the Three-Eyed Raven.”


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