The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Black Victoriana

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A gallery of photographs of people of African descent from the Victorian era. (Via Kit Marlowe)

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

“Joseph Merrick and the History of the Human Sideshow”

In anticipation of The Elephant Man Joseph Merrick’s birthday next month, Abebooks’ Avid Reader has compiled a short history of John Merrick’s life and a gallery of books about Merrick, sideshow histories and biographies as well as a few promotional cards from the late 19th century.

The Yellow Curse

Grady Hendrix has written a fascinating piece about Chinese-American life and Chinatowns in the late Nineteenth and early Twentieth Centuries and a story he’s written about it. “If you were an average Chinese living in New York’s Chinatown at the turn of the century, your life sucked. You had a thriving, albeit mostly male, community […]

A Hero To Some

“He was a hero to some, a villain to others, and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: One was death itself… The other, the acrid smell of gunsmoke…” I’ve meant to write about Jonah Hex for a long time […]

Kirkbride, Castles of the Midwest.

Kirkbride Buildings are the castles of the American Midwest. They’re also 19th century State Hospitals.

John Wayne Can’t Save You

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. Blood Red Earth has been on FEARnet for weeks now. A horror movie set in the Old West with a Native American cast? […]

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  • Of Note Elsewhere

    Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   The New York TimesThe Los Angeles Times and Variety have obituaries. Here he is interviewed with Britt Ekland. And David Letterman interviews Kiel here.

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    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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    “A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

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