Open Culture has a re-vamped trailer for a film adaptation of Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)
Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”
Nerd Fest UK has an edit of scenes from 66 classic musicals set to “Uptown Funk.” (Click the cc button to see which musicals have been used). (Thanks, Andrew!)
The Media Digital History Library has so many media magazines–film, drama and radio reviews from 1894! So many magazines! Old movie weirdos and old time radio enthusiasts, rejoice!
At Autostraddle, Sara Century writes about why Lesbian vampire movies are terrible and totally amazing. “As heterosexual vampire stories had their origin in the fear of female sexuality, displayed clearly in novels like Dracula which consistently robbed its female characters of sexual autonomy throughout the narrative, lesbian vampire stories are clearly based in the insecurity […]
At Bitch Media, Sara Century writs about Queer women in horror. “The first horror films to feature queer female characters are some of the first films of any kind to portray queer women.”
The Vinyl Factory has an interactive timeline of women in electronic music from Ada Lovelace to the 2014 Ada Project–with links to recommended listening.
Every October I like to write about something spooky. I’ve written about Frankenstein and Dracula, dead girls and dread, mummies and mutant sea creatures. This year, I thought I’d write about werewolves, but it didn’t work out. I considered Brian Michael Bendis and Marc Andreyko’s Torso, but Eliot Ness pursuing a Cleveland serial killer in […]
At Hubpages, Stethacantus writes about the history of Shaw Bros. wuxia and kung fu movies on video and “How The North American Release of the Shaw Brothers Movies was Botched.”
Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut […]
Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.
At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”
Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]
“When she didn’t get an answer, Frances starting throwing punches.” You Must Remember This podcast looks at the life and legend of actor Frances Farmer.
The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book. Today, comic book superheroes are bigger than ever — […]
Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.
At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]
At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.
At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]
There’s a fine piece at Nitrate Diva about the 1935 film, Kongo. “In this monument to morbidity, nearly all the taboos festering at the edges of pre-Code cinema come out and play: blasphemy, drug addiction, prostitution, torture, slavery, bestiality, and (spoiler alert!) incest. The movie positively wallows in depravity. Degradation is its subject, its project, […]
When Julien Temple’s Absolute Beginners was released in 1986 it was met with general indifference and some critical dismissals. While the film may have some problems, today its reputation seems to be clouded by the misconception that it single-handedly ruined the prestigious British film studio Goldcrest and was universally panned. Neither of these assumptions is […]keep looking »