Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!
At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”
Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]
Gail Simone remembers Yvonne Craig. “I knew a lot of boys who wanted to be Batman. But from that day to this, I wanted to be Batgirl. And to me, Yvonne Craig was Batgirl.”
“When she didn’t get an answer, Frances starting throwing punches.” You Must Remember This podcast looks at the life and legend of actor Frances Farmer.
The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book. Today, comic book superheroes are bigger than ever — […]
Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with […]
At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most […]
At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]
In the latter half of the 1950s, it seemed like every alien race with a saucer was high-tailing it to Earth with dreams of conquest, colonization, and a little lovin’ with the locals. The invaders of the 1950s came in many shapes and sizes. Some were blobs. Others were giant insects. A few were house […]
At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]
At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.
At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]
Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ […]
Christine Smallwood writes about Dorothy B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]
When Julien Temple’s Absolute Beginners was released in 1986 it was met with general indifference and some critical dismissals. While the film may have some problems, today its reputation seems to be clouded by the misconception that it single-handedly ruined the prestigious British film studio Goldcrest and was universally panned. Neither of these assumptions is […]
Against my better judgement, the lights in my apartment are connected to a wireless network controlled via an app. There are physical buttons, but they are located near the plugs, at ground level and often behind obstructions. When I leave, turning off the light requires digging my phone out of my pocket, typing in the unlock code, […]
Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza. Nimoy directed Three Men And A […]
Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]
Actor Lizabeth Scott has died. Scott appeared in film and film and television including, The Strange Loves of Martha Ivers (1946), Dead Reckoning (1947), I Walk Alone (1948), The Company She Keeps (1951), Loving You (1957) and The Third Man tv series. The Los Angeles Times, The New York Times and The Guardian have obituaries. […]
Tony Zhou looks at “The Geometry of a Scene” in Akira Kurosawa’s The Bad Sleep Well and Domus looks at Stanley Kubrick’s use of one-point perspective. (Make sure to watch Tony Zhou’s other video essays in his Every Frame A Painting series).keep looking »