The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

“Without America’s Soap Operas We Would Never Have Gotten Mad Men

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“Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions.  I’m speaking, of […]

“13 Barrier-Breaking Women of Early Cinema and Old Hollywood”

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Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]

Gail Simone on Yvonne Craig

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Gail Simone remembers Yvonne Craig. “I knew a lot of boys who wanted to be Batman. But from that day to this, I wanted to be Batgirl. And to me, Yvonne Craig was Batgirl.”

For Evermore: The Raven (1963)

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Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]

Miss Major On Stonewall

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At Autostraddle, Miss Major talks about the Stonewall riot and the erasure of Trans folk, and in particular Trans folk of color, in representations of Stonewall. “The best thing I can remember about that night is that when the girls decided, ‘no, we ain’t doing this,’ some of the girls got out of the paddy wagon […]

“(The Printing of) the Legend of Frances Farmer”

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“When she didn’t get an answer, Frances starting throwing punches.” You Must Remember This podcast looks at the life and legend of actor Frances Farmer.

“Charlie Manson’s Hollywood”

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“Maybe more than anything else Charlie Manson’s story is a Hollywood story.” You Must Remember This podcast looks at the Manson Murders and “Charlie Manson’s Hollywood.” Here’s part 1. (Thanks, Colin!)

Bava-Thon

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In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

“Super City: New York and the History of Comic Books”

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The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — […]

Thoughts on J.G. Jones & Mark Waid’s Strange Fruit

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At Women Write About comics, J. A. Micheline writes about “The White Privilege, White Audacity and White Priorities of Strange Fruit #1.” JG Jones & Mark Waid’s new comic about an alien landing in the American South in 1927, an alien who appears as a Black man. Meanwhile, Joseph Phillip Illidge had written about the […]

“Elisabeth Luytens: Horror Queen of Composers”

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At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

“Harrowing Books of Varying Reputability”

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At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“Nudie Cohn, Country Music Clothier”

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Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ […]

“The Crime of Blackness: Dorothy B. Hughes’ Forgotten Noir”

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Christine Smallwood writes about Dorothy  B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]

Aubrey Beardsley in the Sixties

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Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

On The BBC: The Left Hand Of Darkness

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BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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