The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews [...]

100 Years of Indian Film

On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film.

RIP, Deanna Durbin

Actress and singer Deanna Durbin has died. The Los Angeles Times and The Guardian have obituaries. Audie Cornish and Melissa Block remember Durbin on NPR.  Here Deanna Durbin sings, “Good-Bye” in Because Of  Him (1946)

Lee Marvin and Prime Cut

Mike White and Rob St. Mary talk about Lee Marvin and Prime Cut on The Projection Booth.

RIP, Jonathan Winters

Comedian Jonathan Winters has died. The Los Angeles Times and The New York Times have obituaries. And here Marc Maron talks with Winters on the WTF Podcast.

RIP, Annette Funicello

Actress and singer Annette Funicello has died. The New York Times has an obituary and The Los Angeles Times has an appreciation. NPR’s Fresh Air has reposted a 1994 interview with Funicello. Here she sings, “Pineapple Princess.”

Return of Mad Style

Tom & Lorenzo look at the fashion–and its implications–in Mad Men‘s first episode of season 6: “[W]e’re on the cusp of 1968, in the wake of the Summer of Love; a time when design, but particularly fashion design, exploded all over the masses in a way it hasn’t done before or since.”

RIP, Carmine Infantino

Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher.  Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in [...]

RIP, Roger Ebert

Film critic and screenwriter Roger Ebert has died.  Ebert wrote about death in 2011. His colleagues at The Chicago Sun-Times and The Chicago Tribune remember him in obituaries. This is Ebert’s final blog post, announcing, “A Leave of Presence.”  Here’s a collection of Ebert’s tweets, quotes and photos. At The Gutter, we considered Ebert one [...]

RIP, Jane Henson

Muppet performer, designer and producer Jane Henson has died. Henson collaborated with Jim Henson to create The Muppets. The New York Times and The Los Angeles Times have obituaries. Here is a rare interview with Henson.

The Making of The Bad Sleep Well

A documentary on the making of Akira Kurosawa’s The Bad Sleep Well.

“So I wrote a book”

Elmore Leonard talks about writing, Westerns, crime fiction, adaptations and Justified. “They made me an executive producer on the show, and executive producers don’t’ really do anything. I thought, ‘How can I sit here and collect money and not do anything?’ So I wrote a book, Raylan.”

Interview with Michael Caine

The Daily Mail has a nice interview with Michael Caine and photographer David Bailey.

RIP, James Herbert

Author James Herbert has died. Herbert was the author of horror classics such as The Rats and The Fog. The BBC and The Guardian have obituaries. David Barnett has an overview of Herbert’s work.

Listen Up

Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.

Michael Caine: The Birth of the Cool

At Permission To Kill, David Bailey’s iconic photograph of Michael Caine and eight artistic interpretations.

Illustrating Mad Men

Mad Men‘s latest ad was created by veteran illustrator, Brian Sanders. The New York Times profiles Sanders and a little bit of illustration in the 1960s. “Illustrating for and watching the series was doubly meaningful for him, Mr. Sanders said, because Mad Men depicts a world he was once very much a part of. ‘The [...]

The Interrelatedness of Historical Context, Audience and Batman

“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights.  There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)

The Kraken Wakes

In 1965 CBC Radio adapted John Wyndham’s alien invasion story,”The Kraken Wakes.” Keep watching the skies as you listen here.

Fictional Floor Plans

Interior Designer Iñaki Aliste Lizarralde’s floor plans for houses and apartments from The Simpsons, Frasier, Sex and the City, Breakfast at Tiffany’s, Up, Seinfeld, and Friends. (Thanks, James!)

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  • Of Note Elsewhere

    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

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