The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Transgression and the Horror Porn of Richard Kern”


At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by […]

“The Greatest Actor Alive”


The Atlantic profiles Max Von Sydow. “For a significant portion of his six decades onscreen, he has been the greatest actor alive. Now, in his 87th year on Earth, he may be on the verge of becoming a pop-culture icon. In December, he’ll be seen in Star Wars: Episode VII—The Force Awakens, in a role […]

John Ostrander on The Spectre


John Ostrander talks about working with Tom Mandrake on The Spectre. “The Spectre was an interesting amalgam of both supernatural and superhero. Created in 1940 by Superman creator Jerry Siegel and artist Bernard Baily, the central character was hardnosed plainclothes detective Jim Corrigan who falls afoul of mobsters and is murdered. He’s sealed into a […]

The Projection Booth Special Report: All Things Must Pass


The Projection Booth invited the Gutter’s own Carol back to talk about the documentary, All Things Must Pass: The Life and Death of Tower Records. Mike White also interviews producer Sean M. Stewart.

“Why Lesbian Vampire Movies Are Terrible (But Also Totally Amazing)”


At Autostraddle, Sara Century writes about why Lesbian vampire movies are terrible and totally amazing. “As heterosexual vampire stories had their origin in the fear of female sexuality, displayed clearly in novels like Dracula which consistently robbed its female characters of sexual autonomy throughout the narrative, lesbian vampire stories are clearly based in the insecurity […]

31 Days of Horror, Part II


It’s the second ten days or so of 31 Days of Horror with the Gutter’s own Carol. “Spookoween 2015 got a little rougher for me. I’m a little more ambivalent about some of the films I watched for Part II. One I even started and stopped. This time we have two appearances by Vincent Price, […]

The Projection Booth looks at An Open Secret


The Projection Booth kindly invited the Gutter’s own Carol to join Mike White for a discussion of Amy Berg’s An Open Secret, a sad and enraging documentary about the exploitation and sexual abuse of children in the entertainment industry. Mike also interviews producer Gabe Hoffman about the film.

“Vampires, Psychics and Ghosts: A Look At Queer Women In Horror”


At Bitch Media, Sara Century writs about Queer women in horror. “The first horror films to feature queer female characters are some of the first films of any kind to portray queer women.”

“10 Trailblazing Horror Films Directed by Women”


At TCM’s Movie Morlocks blog, Kimberly Lindbergs writes about 10 horror films directed by women. “I’ve been enjoying a lot of [TCM’s] Trailblazing Women programming myself but since we’re in the middle of Schocktober, I thought I’d set aside some time to highlight some of my favorite horror films and thrillers directed by women who […]

“12 Memorable Artist Television Cameos”


Art News shares 12 artist cameos on tv shows. (Thanks, Ami!)

The Pioneering Women of Electronic Music


The Vinyl Factory has an interactive timeline of women in electronic music from Ada Lovelace to the 2014 Ada Project–with links to recommended listening.

Restoring Howard the Duck’s Origin


At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: […]

The Battle over Restoring Manos: The Hands Of Fate


At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an […]

The Best Adaption of the Fantastic Four Happened Nearly 50 Years Ago

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After the already-dreaded Fantastic Four came out and landed in theatres with a thud so hard in August that its own director disowned it, a school of thought emerged: maybe it’s just impossible to bring the Fantastic Four to life onscreen. The body of evidence they pointed to—which includes two other majorly-derided big-budget films, a […]

A History of Shaw Bros. Movies on Video


At Hubpages, Stethacantus writes about the history of Shaw Bros. wuxia and kung fu movies on video and “How The North American Release of the Shaw Brothers Movies was Botched.”

An Ode To Dana Scully

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At The Toast, Laura Sook Duncombe shares, “An Ode To Dana Scully.” Scully was the hero my pre-adolescent heart craved. Watching the show for the first time was like arriving at a place I’d never been but instantly knew as home.”

Sequential Facts: Big Books Offered An Education in Comic Styles


Comics Editor Carol is off convincing mummies that those ladies who look like their beloved are spunky archaeologists who have their own lives now, thank you very much. She’s also running the official TIFF Midnight Madness and Vanguard program blogs and will be back next month. Now, please enjoy this fantastic piece by Nick Hanover. […]

The Clothes Of Hercule Poirot (And Captain Hastings)

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Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

“As Much As I Can, As Black As I Am: The Queer History of Grace Jones”

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At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist […]

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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