The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context.

Kubrick’s Zero Gravity Toilet Instructions

Please read instructions before operating the Zero Gravity facilities:  “The toilet is of the standard zero-gravity type. Depending on requirements, System A and/or System B can be used, details of which are clearly marked in the toilet compartment.”

Hammering Away at the Here and Now

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Let’s say you’re the newly-sentient internet. How would you decipher the meaning of all the bits and bytes whizzing past you? And what about the real world outside your electronic realm?

Avatar SCHMAvatar, or, Change the Playa Not the Game

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The film industry is a magical business. I don’t mean magical in the “Hollywood movie magic” sense, as is typically employed by awards show musical numbers and the California Board of Tourism. I mean that it is an industry with a business model that is not, and by its very nature cannot, be constructed on […]

Sequelitis

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You’d think that writing a sequel would be down to a science, considering how many get cranked out every year. Three parts more-of-the-same to two parts brand-new-adventure or some such recipe. I recently read two sequels, one that was fantastic, the other not so much. The difference? As far as I could tell, it was […]

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  • Of Note Elsewhere

    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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    Nick Den Boer and Davy Force’s The Chickening is finally available to haunt your dreams forever. (The Gutter’s own Carol posted about The Chickening on the Toronto International Film Festival’s official Midnight Madness program blog here and here).

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