At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant through the area’s neglected housing projects, tearing along Surf and Neptune avenues toward West 8th Street. Those gangs, or gangs like them, and that incarnation of Coney Island would form the backbone of author Sol Yurick’s 1965 debut novel, The Warriors, about the young members of a street gang. More than a decade after the novel’s publication it would be optioned and, eventually, turned into a major motion picture of the same name.” (via @pulpcurry)
At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant […]
At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an […]
At Die, Danger, Die, Die, Kill!, Todd reviews the two part Ghanian director Ninja’s film, 2016. “2016 is a movie that I am obligated to review by virtue of my having long ago joined the internet chorus of people trumpeting on about its insane trailer—and this despite the fact that all of you with any […]
Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team […]
At the Guardian, Elizabeth Day talks with Geena Davis about feminism, sexism in the film industry and the Geena Davis Institute on Gender in Media. “I mean, it’s freaky when you start examining it. For decades it’s been the same ratio – we’ve all grown up on that ratio. Could it be that women’s presence […]
At fbomb, Sabrina N. interviews Ashley Armitage. “21-year-old Seattle-based photographer and filmmaker Ashley Armitage’s work is largely a tribute to female friendships and femininity. Her dreamy, nuanced photography lets viewers into the intimate, magical moments of girlhood. They depict beauty routines and sleepovers. They unabashedly celebrate and normalize body hair, tampons and bras. The collection […]
After the already-dreaded Fantastic Four came out and landed in theatres with a thud so hard in August that its own director disowned it, a school of thought emerged: maybe it’s just impossible to bring the Fantastic Four to life onscreen. The body of evidence they pointed to—which includes two other majorly-derided big-budget films, a […]
You can read every issue of No Magazine. “Be warned before you download and open these issues—they aren’t exactly safe for workplace viewing. If Larry Flynt and the Vienna Aktionists got together and published a punk zine in the late ‘70s, it would have looked a lot like NO MAG. NO MAG‘s publisher Bruce Kalberg, […]
At the Guardian, Kate Beaton talks about comics, history and her years working in Alberta’s oil sands.
At Hubpages, Stethacantus writes about the history of Shaw Bros. wuxia and kung fu movies on video and “How The North American Release of the Shaw Brothers Movies was Botched.”
The Gutter’s own Carol interviews Roxanne Benjamin who is one of the directors for the horror anthology, Southbound (2015), and is a co-producer for The Devil’s Candy and the V/H/S series. “Watching the whole come together as greater than the sum of its parts–these separate visions that we’re helping to bring to screen to make […]
The Gutter’s own Carol interviews director Soi Cheang at the Toronto International Film Festival’s Midnight Madness blog.
The Gutter’s own Carol interviews director and screenwriter Lucile Hadžihalilović at the Vanguard Program Blog of the Toronto International Film Festival. Hadžihalilović is the director of Innocence (2004) and Evolution (2015), as well as the screenwriter of Gaspar Noé’s Enter The Void (2009).
At Teleport City, friend of the Gutter Todd Stadtman writes about Christopher Lee, Alan Arkin and Philippe Mora’s The Return of Captain Invincible. “It also has to be said that the novelty and humor of Venerated Horror Icon Christopher Lee™ performing rousing musical numbers while doing jazz hands is clearly lost neither on the filmmakers […]
At Teleport City, the Gutter’s own Keith writes about a classic of the Czech New Wave, Valerie And Her Week Of Wonders. It’s a really fine piece, historically and emotionally grounded and also fun. “Released in 1970 and couched in the harmless looking vestments of a fairytale, Valerie and Her Week of Wonders is a […]
Hell’s Club is a slick mash-up from AMDS Films. “There is a place where all fictional characters meet. Outside of time. Outside of all logic. This place is known as Hell’s Club. But this club is not safe.” (Thanks, Gareth!)
Friend of the Gutter Jared Shurin is are involved with a new podcast, Missing, hosted by author Tim Weaver and in association with the release of his latest novel. “Over the course of an entire season, the show investigates the world of missing people – who disappears, why they disappear, the pressures of life on […]
Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut […]
Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.
At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist […]keep looking »