The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Iceman List”

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“Here are just a few other classic movie antagonists who we root against not because they’re wrong per se, but mostly because they’re just not as likable as the characters who carry the movie. Let’s call it ‘The Iceman List.’” Read more of Tim Carmody’s “The Iceman List” here. Like this:Like Loading…

“Strange & Norrell: The Language of Birds”

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At Daily Grail, John Reppion writes about Jonathan Strange and Mr. Norrell, English magic and the language of birds. Like this:Like Loading…

“The Editing of Mad Max: Fury Road

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At Vashi Visuals, Vashi discusses Margaret Sixel’s editing and George Miller’s editing choices for Mad Max: Fury Road. “One of the many reasons Mad Max: Fury Road is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the shooting, the editor could keep the important […]

Wakanda Worldbuilding

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The Art of Darian is doing some very interesting Black Panther art, from magazine covers featuring T’Challa (aka, Black Panther) to Wakandan currency to portraying T’Challa addressing the UN on C-Span. (via @profmdwhite) Like this:Like Loading…

“Jackie Chan: How to Do Action Comedy”

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At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan. Like this:Like Loading…

“Good-bye, David Letterman”

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Friend of the Gutter, Robert A. Mitchell writes a very moving piece about his father, growing up and The Late Show With David Letterman. “My father has been a long distance truck driver for over thirty-five years. His home is a sleeper bunk behind his steering wheel in some rest stop/parking lot/truck stop somewhere in […]

“The Marvel-Industrial Complex”

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In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers […]

“Vin Diesel DM’ing a game of D&D Just for You”

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“sometimes, we all get down sometimes, we all need to do something nice for ourselves sometimes, we all need to play dungeons and dragons with action star vin diesel.” Click here for the download. (via @popshifter) Like this:Like Loading…

The Many Faces of Lucia Pittalis

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Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more. Like this:Like Loading…

Sticks and Bones

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There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1. Like this:Like Loading…

The Projection Booth Watches Star Wars

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This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.” Like this:Like Loading…

Wolves In The Speakeasy

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Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here. Like this:Like Loading…

Neko Ramen Taisho: Finding Your Own Way

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Minoru Kawasaki’s Neko Ramen Taisho (2008) is the classic story of a son trying to prove himself to his father and his father’s desire to recreate his son in his own image. Except Taisho, aka William Thomas Jefferson III, is a cat who makes ramen, and his father, William Thomas Jefferson II, is a “cat […]

“We Are Not Things: Mad Max vs Game Of Thrones”

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At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches […]

80s Supervillain Album Art

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Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies. Like this:Like Loading…

“The Bitter Tears of the Private Detective”

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At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]

“The Crime of Blackness: Dorothy B. Hughes’ Forgotten Noir”

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Christine Smallwood writes about Dorothy  B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]

“Speaking In Tongues”

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At Chhotahazri, Trisha Gupta considers why people resist subtitled films. “I see subtitles as giving me access to a world I wouldn’t otherwise enter – but like a polite, well-spoken guide, providing commentary unobtrusively, not drowning out the voices of the locals.” (via @bethlovesbolly) Like this:Like Loading…

On The Media: True Crime

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On The Media dedicates an hour to the true crime genre. Like this:Like Loading…

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  • Of Note Elsewhere

    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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