The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Haphead Tweetalong

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Founding Gutter editor Jim Munroe is having a watchalong for his new cyberpunk, neo-Noir webseries, Haphead, on Feb. 15, 2015 at 4pm ET. There’s a Q&A at 5:20 pm. You can find the series here, hit play with the official Haphead Twitter account says, “Go!” and tweetalong with the hashtag #haphead. Watch the series trailer […]

My Year With The Fantastic Four

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Days after we rang in the New Year, I finished a year spent reading all of the Fantastic Four comics, from Stan Lee and Jack Kirby’s earth-shattering first issue in 1961, which explained how four family members and friends were transformed by cosmic rays into super-powered adventurers, through the latest issues in 2015 by James […]

RIP, Lizabeth Scott

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Actor Lizabeth Scott has died. Scott appeared in film and film and television including, The Strange Loves of Martha Ivers (1946), Dead Reckoning (1947), I Walk Alone (1948), The Company She Keeps (1951), Loving You (1957) and The Third Man tv series.  The Los Angeles Times, The New York Times and The Guardian have obituaries. […]

Jennifer Armintrout’s Plan

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Author Jennifer Armintrout has gathered resources for “donating the price of a movie ticket to an anti-domestic violence organization instead of paying to see 50 Shades of Grey. Or, donating it in penance for the ticket you’re going to buy. It’s time to put our money where our mouths are. We need to make a list of places […]

Jello Biafra and the Space Brothers

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Footage of Jello Biafra interviewing the Archangel Urial and other members of Unarius, a religion based on their encounters with aliens, the Space Brothers. Like this:Like Loading…

Learning from Akira Kurosawa and Stanley Kubrick

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Tony Zhou looks at “The Geometry of a Scene” in Akira Kurosawa’s The Bad Sleep Well and Domus looks at Stanley Kubrick’s use of one-point perspective. (Make sure to watch Tony Zhou’s other video essays in his Every Frame A Painting series). Like this:Like Loading…

“Tetrahedra of Space” and Other Frank R. Paul Covers

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Dangerous Minds has a gallery of Frank R. Paul’s pulp science fiction covers. (via Stephanie Johnson). Like this:Like Loading…

Interview With Colin Smith

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Comics Bulletin interviews friend of the Gutter Colin Smith about criticism in general and comics criticism in particular. “Despite what so many in the ever-polarising blogosphere appear to believe, criticism isn’t about delivering an opinion that the reader agrees with, or even feels comfortable with. It’s not about standing with this crowd or that, but […]

Here Be Monsters!

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Hi Fructose magazine has images of Bailey Henderson’s sculptures of creatures from Medieval maps. Like this:Like Loading…

How To Tell If You Are In High Fantasy or Soft Science Fiction

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The Toast helps you determine if you are in a high fantasy novel or a soft science fiction one. Like this:Like Loading…

Anything Can Happen In Riverdale

Fiona Staples

I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

“Aliens Are Jerks”

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The Gutter’s own Carol infiltrates Teleport City‘s limits to contribute to TC’s Space: 1999 series with her piece on aliens and what big jerks they are. “Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens […]

“The Adventures of Mr. Obadiah Oldbuck”

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The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain) Like this:Like Loading…

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

VCR Games Super Montage!

A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!) Like this:Like Loading…

The Punisher vs. Dr. Doom

At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the […]

The Patricia Highsmith Papers

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The Swiss Literary Archives have made their Patricia Highsmith collection available online here. (Thanks, Kate!) Like this:Like Loading…

The Lost Justice League United Episode

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Writer J.M. DeMatteis shares the script for, “Misfortune Cookies,” an unproduced episode of Justice League United: “One day, way back in 2004, I got a call from two of the show’s incredibly talented writer-producers, Stan Berkowitz and Dwayne McDuffie.  They’d cooked up an idea—based, in part, on the Oreo addiction Keith Giffen and I had […]

“Death And The Robot”

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Robot  is the only one who really understand Death. Death is the only one who really understands Robot. (Thanks, Molly!) Like this:Like Loading…

Little Fat Nothing: Herbie Popnecker and Early Meta-Comics Narratives

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Publicly admitting you read comics means you’re willing to put up with a perplexingly persistent notion of the medium as the exclusive domain of the super heroes. Even in the current realm of savvy pop art dabblers as likely to pray at the altar of independents like Image Comics as they are the Big Two […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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