Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”
At Asking The Wrong Questions, Abigail Nussbaum writes about Aaron Sorkin, the “Oh Shenandoah” episode of Sorkin’s The Newsroom, The Newsroom writer Alena Smith and women speaking out about their experiences. “What we’re seeing here is Aaron Sorkin becoming an Aaron Sorkin character, making the same arguments as Don. In his conception of reality, a […]
Abigail Nussbaum considers Christopher Nolan’s Interstellar at Asking The Wrong Questions. “As much fun as it is to watch this sort of story–and the enjoyment is only increased by Interstellar‘s refreshing rejection of Hollywood’s standard save the cat story template, with multiple complications and decision points that give the film an almost novelistic feeling–there’s no […]
Over at Asking the Wrong Questions, Abigail Nussbaum takes on the task of figuring out Stephenson’s Reamde.
In her series of essays looking over the entire run of Star Trek: The Next Generation, Abigail Nussbaum gets to a more pround change from the original Star Trek than tunic colors. By the second season, the Starfleet has decided to boldly stay within Federation borders. “[I]t’s clear that The Next Generation became a better […]
Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected it was coming, riveted me on screen […]
The Encyclopedia of Science Fiction, 3rd Edition will be free online, according to Abigail Nussbaum, who’s been writing tv entries for the encyclopedia.
I have a theory that television shows get a lot of practice in the cliff-hanger, in hooking the viewer to come back next week, but almost zero experience in creating satisfying endings. Structurally, commercially, the need for such a thing just doesn’t compute. A few genre shows in the throes of concluding long-term stories right […]