The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Mad As Hell: Thoughts On Aaron Sorkin”

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At Asking The Wrong Questions, Abigail Nussbaum writes about Aaron Sorkin, the “Oh Shenandoah” episode of  Sorkin’s The Newsroom, The Newsroom writer Alena Smith and women speaking out about their experiences. “What we’re seeing here is Aaron Sorkin becoming an Aaron Sorkin character, making the same arguments as Don.  In his conception of reality, a […]

Interstellar and a certain kind of science fiction

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Abigail Nussbaum considers Christopher Nolan’s Interstellar at Asking The Wrong Questions.  “As much fun as it is to watch this sort of story–and the enjoyment is only increased by Interstellar‘s refreshing rejection of Hollywood’s standard save the cat story template, with multiple complications and decision points that give the film an almost novelistic feeling–there’s no […]

4600 Words on Reamde

Over at Asking the Wrong Questions, Abigail Nussbaum takes on the task of figuring out Stephenson’s Reamde.

Star Trek: The Next Generation: To Boldly Stay

In her series of essays looking over the entire run of Star Trek: The Next Generation, Abigail Nussbaum gets to a more pround change from the original Star Trek than tunic colors. By the second season, the Starfleet has decided to boldly stay within Federation borders.  “[I]t’s clear that The Next Generation became a better […]

The Superiority of Game of Thrones as a Show

Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected it was coming, riveted me on screen […]

The Encyclopedia of Science Fiction

The Encyclopedia of Science Fiction, 3rd Edition will be free online, according to Abigail Nussbaum, who’s been writing tv entries for the encyclopedia.

Home Stretch

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I have a theory that television shows get a lot of practice in the cliff-hanger, in hooking the viewer to come back next week, but almost zero experience in creating satisfying endings. Structurally, commercially, the need for such a thing just doesn’t compute. A few genre shows in the throes of concluding long-term stories right […]

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  • Of Note Elsewhere

    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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