The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

For Evermore: The Raven (1963)

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Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]

Strange Men and Magic

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This week’s Guest Star Kate Laity writes about the television adaptation of Jonathan Strange And Mr. Norrell. Laity is an author, Medieval Studies scholar and History Witch. At Edge-Lit 4, my publisher, Adele Wearing of Fox Spirit Books, was on a panel about Grimdark. What is ‘grim dark?’ Well, that was the first topic. It […]

One Comic: “When Red Sonja met her match(ish)”

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Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

All Apocalypses Are Personal

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I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone into remission. Have I been cured?

Like Mad Max: Fury Road, but lazier and crappier

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At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block […]

“What Cersei Lannister’s Walk of Shame Tells Us About Our Culture”

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At Vice, Medievalist Kathleen E. Kennedy writes about the chastisement of Cersei Lannister in The Game Of Thrones and how it relates to Medieval European and contemporary shaming. (via @kalaity)

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Marvel-Industrial Complex”

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In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers […]

Neko Ramen Taisho: Finding Your Own Way

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Minoru Kawasaki’s Neko Ramen Taisho (2008) is the classic story of a son trying to prove himself to his father and his father’s desire to recreate his son in his own image. Except Taisho, aka William Thomas Jefferson III, is a cat who makes ramen, and his father, William Thomas Jefferson II, is a “cat […]

Recreating the Tarot in Haiti

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The Haitian art collective Atis Rezistans and photographer Alice Smeets have created some amazing photographs recreating images from the Rider-Waite Tarot deck. See them here, watch a video of members of Atis Rezistans talking about the project and read an interview with Smeets. “The spirit of the Ghetto Tarot project is the inspiration to turn […]

“I Shot People I Like More For Less”

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Every April at the Gutter we mix things up with the editors writing something outside their usual domain. This week Comics Editor Carol writes about TV. ‘Ware ye plot details for the whole series including the series finale. “Raylan, if a book could only be judged by its cover, you’d be a best seller.” ~Boyd […]

“No Room For Failure”

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MTV News spoke to directors Lexi Alexander, Brenda Chapman and Yulin Kuang about “what they thought of MacLaren’s departure [from Wonder Woman] and how they think it speaks to the bigger problem in the industry – namely, the lack of opportunities women have in film.” If you’d like to know more about MacLaren’s career, including […]

On The BBC: The Left Hand Of Darkness

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BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

Logan’s Run at The Projection Booth

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Our friends at the Projection Booth watch Logan’s Run and they interview authors of the original novel, William F. Nolan and George Clayton Johnson. Listen here.

The Projection Booth Watches Conan The Barbarian

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The Projection Booth tells you of days of high adventure in an epic seven hour podcast on Conan The Barbarian (1982).

“Let’s Talk About The Women Of The Walking Dead

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At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of […]

VCR Games Super Montage!

A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!)

“Death And The Robot”

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Robot  is the only one who really understand Death. Death is the only one who really understands Robot. (Thanks, Molly!)

That Time Ray Bradbury Adapted Moby-Dick as a Screenplay

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Open Culture recounts the time Ray Bradbury wrote the screenplay for John Huston’s film, Moby-Dick (1956). “I got out of bed one morning in London, looked in the mirror, and said, ‘I am Herman Melville!’ I sat down at the typewriter, and in eight hours of passionate, red-hot writing, I finished the screenplay of Moby […]

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  • Of Note Elsewhere

    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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