The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Idleness Is An Art Form”

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At Teleport City, the Gutter’s own Keith writes about the Emmanuelle films and the woman who inspired the character. “My first glimpse at European sex films provided escape into a theoretically obtainable world. I decided I wanted to travel, that I wanted to be a writer, that I wanted to trod the earth with nothing […]

10 Comics I Liked in 2015

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I’m a little chilly after a strangely, even eerily warm Yuletide writing my annual list of comics I liked in 2015 suddenly snowed in in Montreal and then subjected to what I can only call, “Frost Giant Snot” on the long road home. As always, I try to choose comics I haven’t written about much […]

“Without Faith, Without Law, Without Joy”

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The Faery Queene from the perspective of one of the Saracens by Saladin Ahmed. “I am walking a winding road of pale stone. Who am I? Where am I? I have answers, but they are forged falsehoods. For…days? Years? My brothers and I have been forced to live in this world that is not our […]

“Tamiya Iemon is the Worst”

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At Teleport City, the Gutter’s own Carol writes about The Ghost Story of Yotsuya in its film adaptations and its villain, Iemon, who is the absolute worst.

“Graphic, Novel”

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Emily Nussbaum writes about Jessica Jones, Buffy the Vampire Slayer and modern times for The New Yorker. “While the fact that Jessica Jones is Marvel’s first TV franchise starring a superpowered woman—and that it was created by a female showrunner, Melissa Rosenberg—amounts to a pretty limited sort of artistic progress, the show doesn’t need to […]

The Old-Fashioned Horror and New-Fashioned Zombies of Pontypool

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I probably shouldn’t fret too much about spoilers discussing Bruce McDonald’s 2008 film Pontypool. The movie’s tagline, “Shut up or die,” is arguably a spoiler. And the novel it was based on, Tony Burgess’ Pontypool Changes Everything, has been around for 20 years. My personal bias is that you can’t spoil a good story anyway, […]

A Girl Thinks Too Much Alone At Night

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Sometimes I really want to like something. I really, really do. And it’s not bad and I don’t actively dislike like it. I just don’t like it. I love the film, A Girl Walks Home Alone At Night. It’s one of my favorite films of 2014 and it’s one I recommend. But the comic version, […]

Now Cthulhu is Blofeld

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The moons have aligned and given me the opportunity to slip two October articles in, which means you get (or are inflicted with) a third installment of the ongoing series Punching Cthulhu in the Face, a look at the many ways H.P. Lovecraft’s cosmic horror has been corrupted and misunderstood by other writers. And this […]

31 Days of Horror, Part II

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It’s the second ten days or so of 31 Days of Horror with the Gutter’s own Carol. “Spookoween 2015 got a little rougher for me. I’m a little more ambivalent about some of the films I watched for Part II. One I even started and stopped. This time we have two appearances by Vincent Price, […]

“Remember The Warriors

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At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant […]

The Black Cat at The Projection Booth

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Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut […]

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

For Evermore: The Raven (1963)

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Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]

Strange Men and Magic

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This week’s Guest Star Kate Laity writes about the television adaptation of Jonathan Strange And Mr. Norrell. Laity is an author, Medieval Studies scholar and History Witch. At Edge-Lit 4, my publisher, Adele Wearing of Fox Spirit Books, was on a panel about Grimdark. What is ‘grim dark?’ Well, that was the first topic. It […]

One Comic: “When Red Sonja met her match(ish)”

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Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

All Apocalypses Are Personal

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I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone into remission. Have I been cured?

Like Mad Max: Fury Road, but lazier and crappier

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At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block […]

“What Cersei Lannister’s Walk of Shame Tells Us About Our Culture”

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At Vice, Medievalist Kathleen E. Kennedy writes about the chastisement of Cersei Lannister in The Game Of Thrones and how it relates to Medieval European and contemporary shaming. (via @kalaity)

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Marvel-Industrial Complex”

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In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers […]

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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