The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Black Victoriana

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A gallery of photographs of people of African descent from the Victorian era. (Via Kit Marlowe)

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

“10 Modern Heroes of Black Nerddom (and Urkel is NOT One)”

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“If the RZA didn’t exist, then we would have had to invent him.” Charles Webb shares his list of “10 Modern Heroes of Black Nerddom (and Urkel is NOT One)” at Topless Robot.

Interview with Denys Cowan

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“Legendary comic book artist and Milestone Media co-founder Denys Cowan joined CBR executive producer Jonah Weiland in the CBR Speakeasy for a lengthy discussion covering Cowan’s career, diversity, and the current state of Milestone properties at DC Comics. They begin by discussing Cowan’s seminal work on The Question with Dennis O’Neil and the mistakes he […]

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

Forty-One Black Women In Horror Writing

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Sumiko Saulson shares a list of twenty Black women in horror writing. “February is Black History Month here in the United States. It is also Women in Horror Month (WiHM). As an Ambassador for WiHM, and as a woman of color (I am Black and Jewish) who is a horror writer, I am poignantly aware […]

Horror, Black Female Identity and Taking Agency

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Graveyard Shift Sisters shares Kinitra Brooks’ “close examination of the books of Tananarive Due, her African Immortals series that centers around the main character Jessica Jacobs-Wolde and L.A. Banks’ Vampire Huntress Legend series focus on Damali Richards and discusses how speculative fiction is ripe for transformative work on Black female identity, in particular, taking agency in our […]

“Martin Luther King & The Montgomery Story” Comic

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A complete digital edition of  Martin Luther King & The Montgomery Story (1956), the comic that inspired Rep. John Lewis to pursue nonviolence and social justice.

A Treasury of African-American Films Made For African-American Audiences

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The Riverbends Genealogical and Historical Society has a collection of “race movies”: “The ‘race movie’ or ‘race film’ was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of […]

RIP, Sheila Guyse

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Actor and singer Sheila Guyse has died. Guyse appeared on Broadway, most notably in “Finian’s Rainbow” and in “race films” with all-African-American casts catering to African-American audiences in the 1940s and 1950s. The New York Times has an obituary. Nina Mae McKinney has a tribute to Guyse. Here Sheila Guyse performs “Cinderella” with Billy Daniels […]

Cab Calloway’s Jive Dictionary

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Learn to speak jive like all the hep cats do.

A Few Pagan Reactions to American Horror Story: Coven

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At A Knife And A Quill, Kate Laity shares her thoughts on American Horror Story: Coven:  “I don’t turn to drama series for insightful commentary on witchcraft. I do expect fun and I do expect a little pulse-taking on the state of the nation. Because witchcraft narratives are almost always about notions of female and other […]

James Joyce vs. Kool Keith

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Who said it, James Joyce or Kool Keith?

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

RIP, Jim Kelly

Actor, Karate Grandmaster and tennis player Jim Kelly has died. Kelly starred alongside Bruce Lee in Enter The Dragon and in action/Blaxploitation classics such as Black Belt Jones, Three The Hard Way and Black Samurai. Our friends at Daily Grindhouse have an obituary as does The Los Angeles Times.  Salon interviewed Kelly in 2010. Here’s […]

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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