The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

“Geek Racism (A Reaction Based on Experience)”

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At The Fool’s Crusade, B. Easton writes, “I used to be the world’s biggest naïve idealist. Captain America without the irony. Superman before 1980. Yea, that was me. I used to believe that anyone into comics, sci-fi, animation, video games etc., would be automatically ‘better’ than the layperson. I figured that anyone with the mental […]

BGN on Interracial Relationships

The Black Girl Nerds Podcast focuses on interracial relationships.  “The highest rated BGN podcast yet is about guess what?  Interracial Relationships.  We actually received more calls from men on this topic then women which speaks volumes to men’s thoughts on the hot button issue.” Like this:Like Loading…

“Nerdiness and Whiteness”

The Black Girl Nerds Podcast ponders nerdiness and whiteness: “Does Being Nerdy Mean You ‘Act White?’” Like this:Like Loading…

Interview with Nalo Hopkinson

TVOntario interviews writer Nalo Hopkinson about utopian literature,  the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival. Like this:Like Loading…

Diverse Writers, Diverse Readers and Happily Ever Afters

NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis). Like this:Like Loading…

“Krazy Kat Goes A-Wooing”

George Herriman animated this Krazy Kat cartoon in 1916 and while any time is good to revisit it, Black History Month seems a particularly good one. Like this:Like Loading…

White Scripts and Black Supermen

The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel. Like this:Like Loading…

“Remembering Dwayne McDuffie On His Birthday”

Comics Alliance remembers Dwayne McDuffie. “McDuffie was an incredible talent who was often seen as a “black writer” as opposed to just a writer, largely due to both his stature in the industry, and his ability to eloquently discuss the difficulties that face black writers in comics.” Like this:Like Loading…

“Welcome To Black History Month”

At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now. Like this:Like Loading…

Black Kirby

Artvoice profiles, Black Kirby, John Jennings and Stacey Robinson’s art team that “imitates and parodies Jack Kirby’s in style and substance, adding an African-American—and notably contemporary—dimension.” Like this:Like Loading…

“Me and My People Got History”

David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as […]

How Not To Be A Con Creeper

Andre at Black Nerd Comedy has some advice on how not to be a creeper at cons (and pretty much anywhere else) in his latest, “Black Nerd Rant.”   Like this:Like Loading…

The Story of Negro Romance

History Detectives has 13 pages of, “Possessed, ” a story from a comic, Negro Romance. Watch the segment  to learn more about the history African-Americans in comics, how the comic represents changes in American society after World War II and the creators of Negro Romance.  (There is also a link to the full 55 minute […]

Soul Train at the K Chronicles

Cartoonist Keith Knight remembers Don Cornelius and Soul Train. (After kindly linking to it on the Gutter). Like this:Like Loading…

RIP, Don Cornelius

Soul Train creator and host Don Cornelius has died. The LA Times has an obituary and YouTube has many, many Soul Train clips. Like this:Like Loading…

“Frankly, Static deserved a lot better.”

John Rozum writes a comment about why he left DC’s comic, Static Shock. It will have some resonance for people who remember Static Shock’s co-creator Dwayne McDuffie’s posts about the difficulties he had writing for DC’s Justice League of America. Update: Comic Book Resources has more. Like this:Like Loading…

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

Origin Story

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How did Carol Borden become a fan of DC superheroes? Did she uncover the truth that criminals were a cowardly and superstitious lot? Was she packed into an interstellar cradle and shot into space with the blind hope that she would be found and raised to value truth, justice and the superhero way? Or was […]

5 Webcomics Created by African-Americans

Blackweb offers a sample of webcomics by African-American creators.  Check out:  A Pug Named Fender, JOE!, Addanac City, Company Man. (via Jay Potts) Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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