The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

5 Webcomics Created by African-Americans

Blackweb offers a sample of webcomics by African-American creators.  Check out:  A Pug Named Fender, JOE!, Addanac City, Company Man. (via Jay Potts)

Fear of a Black Panther: Part One

“Fear of a Black Panther: Part One” is the excellent first part of an examination of Panther’s Rage: “a classic 13 part super-hero story that predated the ‘adult’ stylings of Watchmen & the Dark Knight Returns by over a decade. [It} was a dark, dense American super-hero comic that featured African characters in every single […]

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing).

Black History Mumf

It’s Black History Mumf at Big Media Vandalism and the Odienator provides a recap of his film reviews here.

The Black Dragon’s Revenge

Ron Van Clief. the Black Dragon, remembers Bruce Lee, Carter Wong, Jimi Hendrix, racism and underground fighting in the 1950s and working with Blaxploitation auteur, Berry Gordy: “What made The Last Dragon so special is that it was shot in New York City and it starred an African American. No drugs, no prostitution. Just a […]

Respectable Newspaper, All Geek

The Austin Chronicle‘s the paper of the future with an all science fiction edition.  News, books, music, everything. (I’m especially excited about the music—The Day the Earth Stood Still and afronauts).

Afrofuturism

Preserved from usenet, Mark Dery’s 1994 essay on Afrofuturism: “Hack this: Why do so few African-Americans write science fiction, a genre whose close encounters with the Other—the stranger in a strange land—would seem uniquely suited to the concerns of African-American novelists? …. This is especially perplexing in light of the fact that African-Americans are, in […]

Mothership Connection

It’s a history of Afronauts in music, from Rev. A.W. Nix to Sun Ra to Lil Wayne.

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  • Of Note Elsewhere

    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

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    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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    Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with the Gavlak exhibition), Yeager had an influence on a generation of artist-photographers including Diane Arbus and Cindy Sherman. Arbus even went as far to call her ‘The world’s greatest pin-up photographer.'” (Thanks, Stephanie!)

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    Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

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    While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game where I’m compelled to save the day not because of abstract threats, damsels in distress, or a desire for personal vengeance, but because the beauty of Gotham City compels me to protect it. Instead, I’m left for the fourth time with Batman and his playground.”

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