The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
“Fear of a Black Panther: Part One” is the excellent first part of an examination of Panther’s Rage: “a classic 13 part super-hero story that predated the ‘adult’ stylings of Watchmen & the Dark Knight Returns by over a decade. [It} was a dark, dense American super-hero comic that featured African characters in every single […]
Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008). (Click it! It’s amazing).
It’s Black History Mumf at Big Media Vandalism and the Odienator provides a recap of his film reviews here.
Ron Van Clief. the Black Dragon, remembers Bruce Lee, Carter Wong, Jimi Hendrix, racism and underground fighting in the 1950s and working with Blaxploitation auteur, Berry Gordy: “What made The Last Dragon so special is that it was shot in New York City and it starred an African American. No drugs, no prostitution. Just a […]
The Austin Chronicle‘s the paper of the future with an all science fiction edition. News, books, music, everything. (I’m especially excited about the music–The Day the Earth Stood Still and afronauts).
Preserved from usenet, Mark Dery’s 1994 essay on Afrofuturism: “Hack this: Why do so few African-Americans write science fiction, a genre whose close encounters with the Other—the stranger in a strange land—would seem uniquely suited to the concerns of African-American novelists? …. This is especially perplexing in light of the fact that African-Americans are, in […]
It’s a history of Afronauts in music, from Rev. A.W. Nix to Sun Ra to Lil Wayne.« go back