The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Fear of a Black Panther: Part One

“Fear of a Black Panther: Part One” is the excellent first part of an examination of Panther’s Rage: “a classic 13 part super-hero story that predated the ‘adult’ stylings of Watchmen & the Dark Knight Returns by over a decade. [It} was a dark, dense American super-hero comic that featured African characters in every single […]

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing). Like this:Like Loading…

Black History Mumf

It’s Black History Mumf at Big Media Vandalism and the Odienator provides a recap of his film reviews here. Like this:Like Loading…

The Black Dragon’s Revenge

Ron Van Clief. the Black Dragon, remembers Bruce Lee, Carter Wong, Jimi Hendrix, racism and underground fighting in the 1950s and working with Blaxploitation auteur, Berry Gordy: “What made The Last Dragon so special is that it was shot in New York City and it starred an African American. No drugs, no prostitution. Just a […]

Respectable Newspaper, All Geek

The Austin Chronicle‘s the paper of the future with an all science fiction edition.  News, books, music, everything. (I’m especially excited about the music–The Day the Earth Stood Still and afronauts). Like this:Like Loading…

Afrofuturism

Preserved from usenet, Mark Dery’s 1994 essay on Afrofuturism: “Hack this: Why do so few African-Americans write science fiction, a genre whose close encounters with the Other—the stranger in a strange land—would seem uniquely suited to the concerns of African-American novelists? …. This is especially perplexing in light of the fact that African-Americans are, in […]

Mothership Connection

It’s a history of Afronauts in music, from Rev. A.W. Nix to Sun Ra to Lil Wayne. Like this:Like Loading…

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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