The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

5 Webcomics Created by African-Americans

Blackweb offers a sample of webcomics by African-American creators.  Check out:  A Pug Named Fender, JOE!, Addanac City, Company Man. (via Jay Potts)

Fear of a Black Panther: Part One

“Fear of a Black Panther: Part One” is the excellent first part of an examination of Panther’s Rage: “a classic 13 part super-hero story that predated the ‘adult’ stylings of Watchmen & the Dark Knight Returns by over a decade. [It} was a dark, dense American super-hero comic that featured African characters in every single […]

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing).

Black History Mumf

It’s Black History Mumf at Big Media Vandalism and the Odienator provides a recap of his film reviews here.

The Black Dragon’s Revenge

Ron Van Clief. the Black Dragon, remembers Bruce Lee, Carter Wong, Jimi Hendrix, racism and underground fighting in the 1950s and working with Blaxploitation auteur, Berry Gordy: “What made The Last Dragon so special is that it was shot in New York City and it starred an African American. No drugs, no prostitution. Just a […]

Respectable Newspaper, All Geek

The Austin Chronicle‘s the paper of the future with an all science fiction edition.  News, books, music, everything. (I’m especially excited about the music—The Day the Earth Stood Still and afronauts).


Preserved from usenet, Mark Dery’s 1994 essay on Afrofuturism: “Hack this: Why do so few African-Americans write science fiction, a genre whose close encounters with the Other—the stranger in a strange land—would seem uniquely suited to the concerns of African-American novelists? …. This is especially perplexing in light of the fact that African-Americans are, in […]

Mothership Connection

It’s a history of Afronauts in music, from Rev. A.W. Nix to Sun Ra to Lil Wayne.

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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