The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

John Ostrander on The Killing Joke Animated Feature

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John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We […]

Karen Berger and Vertigo

The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.”

The Great Alan Moore Re-Read

Tim Callahan is re-reading and writing about all of Alan Moore’s major comics.  From Hell, Moore’s collaboration with Eddie Campbell, is the 26th installment.

Alan Moore Responds to Frank Miller.

Frank Miller disagrees with Occupy Wall Street (i.e. “Wake up, pond scum”). Alan Moore disagrees with Frank Miller about Occupy Wall Street, and probably everything else ever.

Full and Uncut Interview with Alan Moore

comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore.  An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership.

Dreadful Thoughts

As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]

Rohrshach vs. Alan Moore

Rohrshach has discovered a new conspiracy, a plan to ensure that no one watches The Watchmen. (Via Forbidden Planet International)

Rolling Stone Interviews Grant Morrison

Grant Morrison notes some things about superheroes, the comics industry, Mark Millar, sexism and rape in an interview with Rolling Stone:  “I suddenly think how many times has somebody been raped in an Alan Moore story? And I couldn’t find a single one where someone wasn’t raped except for Tom Strong, which I believe was […]

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Ditko = Ditko

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“For my own part, regret nothing. Have lived life, free from compromise … and step into the shadow now without complaint.” –Rohrshach’s journal (Alan Moore, Watchmen) I read Watchmen as many people do, without knowing the comics history Moore invoked. In a story that begins as a superhero murder mystery and becomes so much more, […]

Commodification is Inevitable

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Joe Steckart has an interesting response to Patton Oswalt’s “Wake Up, Geek Culture. Time to Die“: “Reading Watchmen does not make you cool. Being able to talk about it intelligently does. The counterculture, the ineffable ‘cool,’ will always be manifesting itself in something. Right now it’s manifesting at least partly in geek culture, and that’s wonderful. […]

League of Extraordinary Gentlemen Preview

Bleeding Cool has a preview of Kevin O’Neill’s art for League of Extraordinary Gentlemen: Century: 1969.

“Crisis in the 36th Chamber”

Chris Sims and Rusty Shackles bring you, “Great Comics That Never Were (But Shoulda Been)!”

Jenkins’ List

Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items.

Talking Shit about Grant Morrison and Alan Moore

Savage Critics Jeff Lester and Graeme McMillan talk some shit about Grant Morrison and Alan Moore, smart shit. And if that’s not enough, the talk a lot about other comics. But hearing them talk about Grant Morrison and Alan Moore is enough if that’s all you have time for.

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

AN ANICONIC ICON

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]

Saturday Morning Watchmen

Get out your favorite milk-dying sugar saturated cereal, it’s “Saturday Morning Watchmen!” Dr.Manhattan turns into a car. That’s tight.

ROUND THE DECAY OF THAT COLOSSAL WRECK

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In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to suggest that they actually undertook an even […]

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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    Nick Den Boer and Davy Force’s The Chickening is finally available to haunt your dreams forever. (The Gutter’s own Carol posted about The Chickening on the Toronto International Film Festival’s official Midnight Madness program blog here and here).

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