In a 1988 Sight And Sound interview, Patricia Highsmith talks about film adaptations of her novels, from Strangers On A Train (1950) to The American Friend (1977)
It’s time to return to a question I first confronted five years ago in “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.” The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]
John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We […]
The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.”
Tim Callahan is re-reading and writing about all of Alan Moore’s major comics. From Hell, Moore’s collaboration with Eddie Campbell, is the 26th installment.
Frank Miller disagrees with Occupy Wall Street (i.e. “Wake up, pond scum”). Alan Moore disagrees with Frank Miller about Occupy Wall Street, and probably everything else ever.
comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore. An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership.
As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]
Rohrshach has discovered a new conspiracy, a plan to ensure that no one watches The Watchmen. (Via Forbidden Planet International)
Grant Morrison notes some things about superheroes, the comics industry, Mark Millar, sexism and rape in an interview with Rolling Stone: “I suddenly think how many times has somebody been raped in an Alan Moore story? And I couldn’t find a single one where someone wasn’t raped except for Tom Strong, which I believe was […]
As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone. Some readers […]
“For my own part, regret nothing. Have lived life, free from compromise … and step into the shadow now without complaint.” –Rohrshach’s journal (Alan Moore, Watchmen) I read Watchmen as many people do, without knowing the comics history Moore invoked. In a story that begins as a superhero murder mystery and becomes so much more, […]
Joe Steckart has an interesting response to Patton Oswalt’s “Wake Up, Geek Culture. Time to Die“: “Reading Watchmen does not make you cool. Being able to talk about it intelligently does. The counterculture, the ineffable ‘cool,’ will always be manifesting itself in something. Right now it’s manifesting at least partly in geek culture, and that’s wonderful. […]
Bleeding Cool has a preview of Kevin O’Neill’s art for League of Extraordinary Gentlemen: Century: 1969.
Chris Sims and Rusty Shackles bring you, “Great Comics That Never Were (But Shoulda Been)!”
Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items.
Savage Critics Jeff Lester and Graeme McMillan talk some shit about Grant Morrison and Alan Moore, smart shit. And if that’s not enough, the talk a lot about other comics. But hearing them talk about Grant Morrison and Alan Moore is enough if that’s all you have time for.
“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]
This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]
Get out your favorite milk-dying sugar saturated cereal, it’s “Saturday Morning Watchmen!” Dr.Manhattan turns into a car. That’s tight.
In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to suggest that they actually undertook an even […]keep looking »