The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

John Ostrander on The Killing Joke Animated Feature

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John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We […]

Karen Berger and Vertigo

The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.”

The Great Alan Moore Re-Read

Tim Callahan is re-reading and writing about all of Alan Moore’s major comics.  From Hell, Moore’s collaboration with Eddie Campbell, is the 26th installment.

Alan Moore Responds to Frank Miller.

Frank Miller disagrees with Occupy Wall Street (i.e. “Wake up, pond scum”). Alan Moore disagrees with Frank Miller about Occupy Wall Street, and probably everything else ever.

Full and Uncut Interview with Alan Moore

comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore.  An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership.

Dreadful Thoughts

As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]

Rohrshach vs. Alan Moore

Rohrshach has discovered a new conspiracy, a plan to ensure that no one watches The Watchmen. (Via Forbidden Planet International)

Rolling Stone Interviews Grant Morrison

Grant Morrison notes some things about superheroes, the comics industry, Mark Millar, sexism and rape in an interview with Rolling Stone:  “I suddenly think how many times has somebody been raped in an Alan Moore story? And I couldn’t find a single one where someone wasn’t raped except for Tom Strong, which I believe was […]

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Ditko = Ditko

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“For my own part, regret nothing. Have lived life, free from compromise … and step into the shadow now without complaint.” –Rohrshach’s journal (Alan Moore, Watchmen) I read Watchmen as many people do, without knowing the comics history Moore invoked. In a story that begins as a superhero murder mystery and becomes so much more, […]

Commodification is Inevitable

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Joe Steckart has an interesting response to Patton Oswalt’s “Wake Up, Geek Culture. Time to Die“: “Reading Watchmen does not make you cool. Being able to talk about it intelligently does. The counterculture, the ineffable ‘cool,’ will always be manifesting itself in something. Right now it’s manifesting at least partly in geek culture, and that’s wonderful. […]

League of Extraordinary Gentlemen Preview

Bleeding Cool has a preview of Kevin O’Neill’s art for League of Extraordinary Gentlemen: Century: 1969.

“Crisis in the 36th Chamber”

Chris Sims and Rusty Shackles bring you, “Great Comics That Never Were (But Shoulda Been)!”

Jenkins’ List

Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items.

Talking Shit about Grant Morrison and Alan Moore

Savage Critics Jeff Lester and Graeme McMillan talk some shit about Grant Morrison and Alan Moore, smart shit. And if that’s not enough, the talk a lot about other comics. But hearing them talk about Grant Morrison and Alan Moore is enough if that’s all you have time for.

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

AN ANICONIC ICON

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]

Saturday Morning Watchmen

Get out your favorite milk-dying sugar saturated cereal, it’s “Saturday Morning Watchmen!” Dr.Manhattan turns into a car. That’s tight.

ROUND THE DECAY OF THAT COLOSSAL WRECK

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In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to suggest that they actually undertook an even […]

Wrangling Watchmen

Read everything you wanted to about the Watchmen movie? Let us wrangle you a little more. Marc Hirsch argues for the comic as its own form and Andrew O’Hehir is shocked to be writing that it “way out-darks The Dark Knight and immediately leaps near the top of the list of apocalyptic pop-culture operas.” Meanwhile, […]

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  • Of Note Elsewhere

    John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)

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    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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