The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Karen Berger and Vertigo

The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.” Like this:Like Loading…

The Great Alan Moore Re-Read

Tim Callahan is re-reading and writing about all of Alan Moore’s major comics.  From Hell, Moore’s collaboration with Eddie Campbell, is the 26th installment. Like this:Like Loading…

Alan Moore Responds to Frank Miller.

Frank Miller disagrees with Occupy Wall Street (i.e. “Wake up, pond scum”). Alan Moore disagrees with Frank Miller about Occupy Wall Street, and probably everything else ever. Like this:Like Loading…

Full and Uncut Interview with Alan Moore

comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore.  An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership. Like this:Like Loading…

Dreadful Thoughts

As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]

Rohrshach vs. Alan Moore

Rohrshach has discovered a new conspiracy, a plan to ensure that no one watches The Watchmen. (Via Forbidden Planet International) Like this:Like Loading…

Rolling Stone Interviews Grant Morrison

Grant Morrison notes some things about superheroes, the comics industry, Mark Millar, sexism and rape in an interview with Rolling Stone:  “I suddenly think how many times has somebody been raped in an Alan Moore story? And I couldn’t find a single one where someone wasn’t raped except for Tom Strong, which I believe was […]

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Ditko = Ditko

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“For my own part, regret nothing. Have lived life, free from compromise … and step into the shadow now without complaint.” –Rohrshach’s journal (Alan Moore, Watchmen) I read Watchmen as many people do, without knowing the comics history Moore invoked. In a story that begins as a superhero murder mystery and becomes so much more, […]

Commodification is Inevitable

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Joe Steckart has an interesting response to Patton Oswalt’s “Wake Up, Geek Culture. Time to Die“: “Reading Watchmen does not make you cool. Being able to talk about it intelligently does. The counterculture, the ineffable ‘cool,’ will always be manifesting itself in something. Right now it’s manifesting at least partly in geek culture, and that’s wonderful. […]

League of Extraordinary Gentlemen Preview

Bleeding Cool has a preview of Kevin O’Neill’s art for League of Extraordinary Gentlemen: Century: 1969. Like this:Like Loading…

“Crisis in the 36th Chamber”

Chris Sims and Rusty Shackles bring you, “Great Comics That Never Were (But Shoulda Been)!” Like this:Like Loading…

Jenkins’ List

Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items. Like this:Like Loading…

Talking Shit about Grant Morrison and Alan Moore

Savage Critics Jeff Lester and Graeme McMillan talk some shit about Grant Morrison and Alan Moore, smart shit. And if that’s not enough, the talk a lot about other comics. But hearing them talk about Grant Morrison and Alan Moore is enough if that’s all you have time for. Like this:Like Loading…

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

AN ANICONIC ICON

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]

Saturday Morning Watchmen

Get out your favorite milk-dying sugar saturated cereal, it’s “Saturday Morning Watchmen!” Dr.Manhattan turns into a car. That’s tight. Like this:Like Loading…

ROUND THE DECAY OF THAT COLOSSAL WRECK

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In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to suggest that they actually undertook an even […]

Wrangling Watchmen

Read everything you wanted to about the Watchmen movie? Let us wrangle you a little more. Marc Hirsch argues for the comic as its own form and Andrew O’Hehir is shocked to be writing that it “way out-darks The Dark Knight and immediately leaps near the top of the list of apocalyptic pop-culture operas.” Meanwhile, […]

“It’s a new world, Arcane.”

Andrew O’Hehir tricks us all by writing about Alan Moore and Swamp Thing instead of movies at Salon: “[T]wo things are clear: Moore knows what comics readers want and intends to give it to them, and whether or not they want something more complicated, more tragic and more adult (I know it’s a loaded word), […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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