The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Koji Wakamatsu

Director and producer Koji Wakamatsu has died. Wakamatsu had just been named filmmaker of the year at the 2012 Busan Film Festival. Wildgrounds has an interview, which Kimberly Lindbergs of Cinebeats helped translate, Keyframe has an obituary and Subway Cinema had a brief overview of Wakamatsu’s career paralleling a 2008 retrospective in Los Angeles.   “Divisive, exploitative, [...]

Nothing Ape Is Strange To Me

I am Ape. Nothing Ape is strange to me.–Publius Terentius Afer (sort of) For what is there beautiful in man,-what, I pray you, worthy of admiration, or comely–unless that which, some poet has maintained, he possesses in common with the ape? –Arnobius I’m surrounded by a stack of comics and one illustrated novel all set [...]

Macbeth Must Die!

Ing K.  and Manit Sriwanchpoom’s Shakespeare Must Die, a Thai version of Macbeth, has been banned in Thailand: “This little art project dared to paint the Thai political crisis with a broad brush and with the story of Macbeth, the creators are re-telling one of the most important stories about the striving for power, the [...]

Godzilla: 3 Reasons

Criterion’s excellent three reasons for its Godzilla (1954) DVD and Blu-Ray.

“The Lottery”

On the anniversary of Shirley Jackson’s birthday, here are a piece on The Haunting of Hill House at DarkEcho and a 1951 radio play of her “The Lottery” on NBC Short Story.

“Ninety-Nine Weeks, A Fairy Tale”

At the excellent Bookview Cafe, Ursula K. LeGuin writes a fairytale of unemployment. My favorite line? “The Works Fairies are not functioning at present.”

A Defense of the Silly Godzilla Movies

At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”

Discussing The Dispossessed with Ursula K. Le Guin

ReadMOre’s Mark Tiedemann has an in depth conversation with writer Ursula K. Le Guin  about The Dispossessed.

Red Skies: Soviet Science Fiction

A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)

A Cinematic History of the Future

SFSignal has Handshake Magazine’s cinematic history of the future. The timecode in the upper right hand corner.

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ’100 Years in Horror’ series.”

Zombies Subvert the Sacrament

The Vault of Horror has an excellent piece examining Italian zombie movies and their subversion of Catholicism.

Connected

Connected is a Danish postapocalyptic short film. It’s kinda like The Treasure of the Sierra Madre, at least it’s an allegory about greed. (thanks, DimSumWesterns!)

“Yow,” Being the Operative Word Here

Adi Tantimedh doesn’t like AMC’s remake of The Prisoner. Not at all: “Let’s get this out of the way: The Prisoner remake is shit. Pointless, generic shit.” “Shit,” being the operative word here. (via PWBeat, who have more discussion in their comments).

Jenkins’ List

Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items.

Symbol

Matsumoto Hitoshi has not made an art film, but it sure looks like one. 

No. 6, Laid Out

Number Six will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered, but in the 1970s, he was roughed, laid out, sketched, penciled, inked, scanned and collected.  Scans of Jack Kirby’s The Prisoner at the Madness. (TwoMorrows has some analysis).

Prince of War

caspian-small.jpg

Prince Caspian, a lesser-known entry in the Narnia series, is a book with not much substance. The recent movie actually streamlines the story, eliminating flashbacks and so forth. What fills the running time back up? Why, war of course.

Breaking Taboos

Under this flag is a coffin with a zombie in it

Horror stories make people uncomfortable or scared in many ways. The most basic has always been fear of death and/or physical destruction. For example, I don’t want my body torn to shreds by zombies, so I’ll be scared if it happens to a character I empathize with. In another sense, taboos are what’s being broken [...]

His Dark Ending

The anti-Narnia has a stinker of an ending

I call it a bait and switch. The first book in Philip Pullman’s His Dark Materials trilogy, The Golden Compass, was an adventure fantasy that was fast-paced and written in an incredibly smooth style. Intrigue, danger, children in peril, armoured polar bears, witch clans at war with each other, and above all, a girl named [...]

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  • Of Note Elsewhere

    This tumblr collects many bad jokes kids have invented.

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    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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