The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Judge John Hodgman: Reckless Endungeonment”

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Judge John Hodgman rules in a conflict between friends and fellow Dresden Files roleplaying game afficionados. “Dan’s become bored with what he sees as ‘safe’ gameplay recently and decided to shake it up, taking more risks with his character. Ryan says this type of play doesn’t fit with their style and is ruining everyone’s fun. […]

A History of Codex Seraphinianus

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Abe Books has a look inside Codex Seraphinianus, as well as some of its publication history. Dangerous Minds interviews publisher, Charles Miers.

The Voice of Night Vale

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The Daily Dot interviews Cecil Baldwin, the voice of the eerie podcast, Welcome To Night Vale.

Bruce Timm’s New 32

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Alternate cover designs for a relaunch of DC’s comics based on the work of DC Animated Universe’s Bruce Timm.

Join The Literary Resistance!

The Gutter’s own Founding Editor, Jim Munroe talks about creating an alternate reality game based on Ray Bradbury’s Fahrenheit 451 for the Toronto Public Library.

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

The Unnameable Future, Part II

This month, Gutter Guest Stars John Crye and Todd Sharp continue their discussion of transmedia entertainment and The Unnameable Future.  Part I is here. Brooke Thompson, “experience designer” and blogger at GiantMice.com, recently posted a follow-up to her article, “Transmedia Will Kill Hollywood Is Killing Transmedia,” which we referenced in last month’s guest spot here […]

The Unnameable Future

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…or, Why We Are Confused About The Defining Terms Angrily Dismissed By Those Trying to Trademark Them Recently on her site GiantMice.com, “experience designer” Brooke Thompson posted an article entitled, “Transmedia Is Killing Hollywood Will Kill Transmedia.” In it, Thompson decries the fact that the new storytelling form known as “transmedia” (previously called “cross-platform storytelling,” […]

Visit Marwencol

Marwencol is documentary about Mark Hogancamp, a man who suffered a traumatic brain injury after being attacked by a group of men. As part of his therapy, he retells his life as a soldier in World War II at 1/6 scale and photographs it. The official site has a trailer and gallery of his photos.

Agatha H and the Airship City

Agatha H and the Airship City looks like pretty promising steampunkery, “push[ing] the boundaries of Steampunk past the polite boundaries of pseudo-Victoriana and into full-on techno-madness!”

Steampunkery

Another respectable media outlet takes a look at steampunkery.

Iron Sky Trailer

Secret. Nazi. Moon. Base. Here’s the trailer.

Kraken, released.

Kraken rum has some nice little videos about Krakens. Is it a new age of artsy-fartsy corporate patronage? Is it just us or does the narrator sound like the guy from Deadliest Warrior? The videos are fun.

Abraham Lincoln, Vampire Hunter

Old Abe bears a terrible burden in the Abraham Lincoln, Vampire Hunter book trailer. 

Cartographic Curiosities

Step right up for your glimpse of Slate Magazine’s slideshow collection of cartographic curiosities!

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  • Of Note Elsewhere

    Friend of the Gutter, Will McKinley looks at “The 1979 Rockford Files Episode That Inspired The Sopranos.” “A gang from Newark’s South Side is hiding Vinnie Martine’s body in a restaurant freezer. Tony’s mad because Anthony Jr. got caught pranking another mobster. And a boss who’s trying to reform gets his mansion sprayed with bullets. Remember that episode of The Sopranos? If you do, your memory’s playing tricks on you, because all these things happened on a 1979 episode of The Rockford Files—written by Sopranos creator David Chase.”

    And McKinley defends classic television with, “In Praise of Vintage Television.”

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    Journalist Margot Adler has died. She is best known for her work as a journalist on NPR, but she also created the speculative fiction radio program, “The Hour Of The Wolf” and was the writer of Drawing Down The Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today (1979) and Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side (2014). The New York Times, NPR and  Suvudu have obituaries.  Here Adler discusses Vampires Are Us. And here is an excerpt from Adler’s memoir, Heretic’s Heart (1997).

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    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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