The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Things That Go Bump In The Night

(No, I don’t mean that kind of bump. Sheesh.  You people.) Given the timing of this column, and its proximity to Halloween, it seemed logical to write about the spooky side of Romance.  But it was a little harder than I thought to put together a reading list.  I wanted to concentrate on books that […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

Jim Munroe’s Rapture

The Gutter will help you get ready for the Rapture in Chicago with Gutter Founding Editor Jim Munroe’s Therefore, Repent! (free here) and the sequel set in Post-Rapture Detroit, Sword of My Mouth, featuring excellent art Shannon Gerrard.  The Rapture isn’t what we think it is. (Full disclosure: Carol was an editor on both and […]

Peering at The Sword of My Mouth

The digital edition of Jim Munroe and Shannon Gerrard’s, Sword of My Mouth is up with some lovely preview pages. You can stare straight down the blade, if you want. Like this:Like Loading…

Repent for Free!

Read 61 pages of post-Rapture Chicago with a Raven and a Mummy from Therefore, Repent!, a graphic novel written by the Gutter’s founding editor and former Evil Overlord, Jim Munroe.  Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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