The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Things That Go Bump In The Night

(No, I don’t mean that kind of bump. Sheesh.  You people.) Given the timing of this column, and its proximity to Halloween, it seemed logical to write about the spooky side of Romance.  But it was a little harder than I thought to put together a reading list.  I wanted to concentrate on books that […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

Jim Munroe’s Rapture

The Gutter will help you get ready for the Rapture in Chicago with Gutter Founding Editor Jim Munroe’s Therefore, Repent! (free here) and the sequel set in Post-Rapture Detroit, Sword of My Mouth, featuring excellent art Shannon Gerrard.  The Rapture isn’t what we think it is. (Full disclosure: Carol was an editor on both and […]

Peering at The Sword of My Mouth

The digital edition of Jim Munroe and Shannon Gerrard’s, Sword of My Mouth is up with some lovely preview pages. You can stare straight down the blade, if you want.

Repent for Free!

Read 61 pages of post-Rapture Chicago with a Raven and a Mummy from Therefore, Repent!, a graphic novel written by the Gutter’s founding editor and former Evil Overlord, Jim Munroe. 

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  • Of Note Elsewhere

    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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    Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is also the greatest, most liberating thing and you can and should totally do it.” (Thanks, Colin!)

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    The Princeton University Digital Library has digitized three Seventeenth Century Japanese illustrated scrolls and you can view them here. Meanwhile, 100,000 images from Getty Research Institute are now available at the Digital Library of America. (via @BibliOdyssey)

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    The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. Japanese censorship laws require blurring genitalia, but social stigma leads many performers (regardless of gender) to obscure their faces, too. Dark sunglasses, hats and blacked-out swimming goggles are common accessories in an industry whose overall value has been estimated at around $20 billion.” (Thanks, Earl)

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