The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“‘We Have Always Fought’: Challenging the Women, Cattle and Slaves Narrative”

“It’s easier to tell the same stories everyone else does. There’s no particular shame in it. It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be. Oh, and it’s not true.” Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

Chromatophores + “Insane In The Membrane”

Scientists hooked a squid up to an iPod. This is what happened.

Simple J. Malarkey by Walt Kelly

A complete 1953 Pogo storyline featuring, “Simple J. Malarkey,” Walt Kelly’s stand-in for Sen. Joseph R. McCarthy. (via MightyGodKing–click through for more about Pogo and the Red Scare).

The Spymaster and The Cuckoo

“This, then, is the story of Maxwell Knight—the man called M—and a cuckoo called Goo. Knight was a tall, patrician British intelligence officer in charge of MI5 departments dealing with counter-subversion on home ground. And yes, as ‘M’ he was the inspiration for James Bond’s controller.” Helen MacDonald recounts the story in an excellent piece. [...]

Achewood, with Voices and Everything

Achewood, now animated!

Interview with James Nguyen

Friend of The Gutter, Robert Mitchell interviews Birdemic director, James Nguyen.  They discuss film-making, Birdemic: Shock and Terror, Birdemic 2 and what people can do to reduce their negative impact on the environment.

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.”

“Man the Mast-heads! Call All Mates!”

Beloved shipmates, Joe Hill has started a Moby-Dick  big read along. The New Bedford Whaling Museum is holding its annual Moby-Dick Marathon today. And the Moby-Dick Big Read Podcast is still downloading a chapter a day with such dauntless readers as Tilda Swinton and ! It’s enough to keep you from knocking off gentelmen’s hats [...]

10 Comics I Liked In 2012

saga_8 reading thumbnail

Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. [...]

Most Enjoyable Asian Films of 2012

At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.

RIP, Nefertiti the Spider

Nefertiti the astronaut spider has died. She had lived aboard the International Space Station for three months. PBS has an obituary.  (Thanks, Andrew!)

“Man’s Best Fiend”

Movie Morlocks‘ Kimberly Lindbergs has a diabolically delightful look at hell hounds, creepy canines and just plain bad dogs.

Kitty Cam Project

Kitties with their own cameras. Find out what they’re doing out there.

Starscream vs. Rainbow Dash

Deceptacon Transformer Starscream faces My Little Pony Rainbow Dash in a battle to the death at Death Battle! Start about halfway through the video to get straight to the battlin’!  

The Writers of Invader Zim, Interviewed!

Behold, Filthy Earth Worm Baby Humans, Danielle Koenig, Roman Dirge and Eric Trueheart–the writers of Invader Zim–have been interviewed! (Thanks, Matt!)

Tudor Bestiary

A gallery of images from a 1520 bestiary. (Thanks, Miguel!)

Kaneto Shindo, Onibaba and Kuroneko

The Gutter’s own Carol was kindly invited to discuss director Kaneto Shindo and his ghostly films, Onibaba and Kuroneko on Monster Island Resort Podcast. If you’re curious, feel free to listen here.

RIP, Kaneto Shindo

Director and screenwriter Kaneto Shindo has died. He lived past 100 and made masterpieces including Onibaba, Kuroneko, Children of Hiroshima, Lucky Dragon No. 5 and The Naked Island. He also wrote the screenplays for Seijun Suzuki’s Fighting Elegy, Yasuzo Masumura Irezumi, Kinji Fukasaku’s Under the Flag of the Rising Sun, Seijiro Koyama’s Hachi / Hachiko [...]

Werewolfery!

Grab your silver wolfshead canes, your wolfsbane or just loose the beast within and listen as The Gutter’s own Carol Borden talks about werewolves on Monster Island Resort Podcast.  (It will certainly pass the time, if you’ve been chained up for the duration of the full moon).

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)

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  • Of Note Elsewhere

    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

    ~

    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

    ~

    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

    ~

    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

    ~

    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

    ~

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