The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Forget the consequences, just get me
a sandwich

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Over the past several months I’ve been working my way through all of Pendleton Ward‘s Adventure Time, in part because it comes in 11 minute segments that are easy to squeeze into tiny cracks of spare time, but mostly because it’s awesome. There are lots of things to love about it – the humor, the weirdness, the […]

“Saying goodbye to a galaxy far, far away (for now)”

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At The AV Club, Sonia Saraiya bids farewell to Star Wars: The Clone Wars: “The Clone Wars is the best possible outcome of present-day Lucasfilm: a fun, engaging, and surprisingly serialized cartoon aimed at some interstitial demographic between children and adults—which, if we’re being honest, is what Star Wars always appealed to most.”

“10 Modern Heroes of Black Nerddom (and Urkel is NOT One)”

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“If the RZA didn’t exist, then we would have had to invent him.” Charles Webb shares his list of “10 Modern Heroes of Black Nerddom (and Urkel is NOT One)” at Topless Robot.

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

Karel Zeman Galleries

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The Gutter’s Own Keith has posted galleries of charming and wondrous images from Czech animator Karel Zeman’s films: Cesta do Praveku / Journey to the Beginning of Time;  Vynalez Zkazy / The Fabulous World of Jules Verne; and  Baron Prasil / The Fabulous World of Baron Munchausen; Ukradená vzducholod / The Stolen Airship; and,  Na […]

“The Fabulous World of Karel Zeman”

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At Teleport City, Keith reports on his visit to the Film Special Effects Museum / Muzeum Karla Zemana, writes about Zeman and five of Zeman’s films: “If you took special effects film pioneer Georges Melies and combined him with stop motion animation genius Ray Harryhausen and surreal fantasist Terry Gilliam, then taught him to speak […]

RIP, Arthur Rankin, Jr.

Animator, director and producer Arthur Rankin, Jr. has died. Rankin is probably best known for his Rankin/Bass studio’s holiday television specials such as Rudolf the Red-Nosed Reindeer, Santa Claus Is Comin’ To Town and Mad Monster Party. He also produced and directed The Last Unicorn, The Hobbit (1977), The Return Of The King (1980), The […]

Frozen: Jane Austen Meets The Snow Queen

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My mom raised me with three things: Feminism; “You don’t have to like your sister, but you can’t hit her”; and a dislike of Disney. Writing them down now, I realize that all three are more applicable to Frozen, than I thought when I decided I should state my bias. I respect Disney’s progress in […]

RIP, Hal Sutherland

Animator, director, Filmation co-founder and painter Hal Sutherland has died. Sutherland is probably best known for Fat Albert and the Cosby Kids, The Archies and Star Trek animated series. Sutherland  Indiewire has an obituary.  StarTrek.com remembers Sutherland. StarTrek.com has a two-part interview with Sutherland here.

Maybe we’ll buy a boat

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In the house I grew up in, at the front of the garage, there was a pair of boat supports on the wall. No boat, just the two long arms sticking out at roughly skull level so you had to manoeuver awkwardly underneath them to reach the cars. My father built them out of 2x4s […]

“Rankin / Bass’s The Thing”

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Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).

Interview with Doc Hammer

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Doc Hammer talks about The Venture Bros., janked-up tattoos and art with Inked Magazine.

Ask Chris #173: The Trouble With Harley Quinn”

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Chris Sims writes about Harley Quinn, Batman: The Animated Series, and the problem with getting Harley wrong. “See, that’s the tragedy of Harley Quinn, the thing that makes her so compelling underneath all the bright, poppy cheer. She’s in love with someone who will never, ever love her back. Someone who can never, ever love […]

Mad Science Throwdown: Princess Bubblegum vs Frankenstein

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“No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and […]

RIP, Lou Scheimer

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Producer Lou Scheimer has died. Lou Scheimer, Hal Sutherland and Norm Prescott founded Filmation in 1962 and produced cartoons including, Fat Albert and the Cosby Kids, Star Trek, He-Man and the Masters of the Universe, She-Ra: Princess of Power, Tarzan, Lord of the Jungle, The Archie Show, Sabrina The Teenage Witch, and the live action […]

Pop Culture That Makes Pop Culture Happy Hour Cry

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On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.

“How Homestar Runner Changed Web Series For The Better”

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At The AV Club, Todd VanDerWerff writes about the influence of Homestar Runner: “The stuff on Homestarrunner.com was really funny, and even if the site hasn’t been updated in years, its surprisingly elaborate mythology and characters still pop up in online discussions from time to time. It also provided a blueprint for web TV going […]

The Shrieking Horror of Castle Lemongrab

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“Sometimes I tried to imitate the pleasant songs of the birds but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again” (Frankenstein, 110). “He raised her and smiled with such kindness and affection that I felt […]

“Wondering About Wonder Woman”

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On her Tumblr page, Gail Simone wonders, “if we have reached a generational shift and we aren’t really aware of it because the people doing all the talking are baby boomers with a COMPLETELY DIFFERENT FRAME OF REFERENCE for Wonder Woman….There will be a time very shortly when the average person will have no baby-boomer […]

Mickey, Bugs, Daffy, Donald, Dot and Franz

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Franz Liszt’s “Hungarian Rhapsody no. 2 in C Sharp Minor” in cartoons from black and white Mickey Mouse cartoons to Animaniacs. (Thanks, Mike!)

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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