The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Four Takes On The First Season of True Detective

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Lili Loofbourow, Anne Helen Petersen, Evan Kindley and Phillip Maciak respond to the divisive finale of the first season of True Detective while considering detective stories, thrillers, The Detection Club, gendered responses, viewers’ relationships to television, a temporal fallacy and darkness at The LA Times Review Of Books. Like this:Like Loading…

On Cary Grant

The Hairpin‘s Anne Helen Petersen has written an excellent piece on Cary Grant’s career and life–scandals, Randolph Scott, sartorial brilliance and all: “Grant’s image was in many ways univocal — he played variations of the same character, he seemed to be a ladies’ man on and off the screen — but it also had room […]

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  • Of Note Elsewhere

    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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