The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Navajos on Mars: Native Sci-Fi Film Futures”

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‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. […]

“Visible Girls: London’s Lost Female Subcultures”

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Dangerous Minds has a gallery of photographs from Anita Corbins project photographing young women in 1980s London. “In the early 1980s, photographer Anita Corbin documented the ‘informal uniforms’ of young women’s subcultures across London. Corbin photographed rude girls, rockabillies, mods, skinheads, and some ‘less defined’ female groups including soul, rasta, punk and futurist, as well […]

“Egyptian Handbook of Ritual Power”

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A 1,300-year-old Egyptian book of spells has been translated. “Among other things, the ‘Handbook of Ritual Power,’ as researchers call the book, tells readers how to cast love spells, exorcise evil spirits and treat “black jaundice,” a bacterial infection that is still around today and can be fatal.”

“The Big Idea: In Conversation with LULZSEC”

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The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman.

“Googling Nazca”

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A gallery of images of the Nazca Lines taken via Google Maps. (via @mattstaggs)

“How Corpses Helped Shape the London Underground”

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‘In her excellent and morbidly fascinating book Necropolis: London and Its Dead, author Catharine Arnold describes in detail the subterranean presence of corpses found throughout the British capital. To no small extent, she makes clear, dead bodies were basically buried everywhere, to the point that, as Arnold pithily states, ‘London is one giant grave.”’ More […]

Part Human, All Sasquatch

MSN/MSNBC is reporting on bigfoot mitochondrial DNA and here at The Gutter, we really don’t care that there is no evidence shared yet: “For her study, Ketchum obtained three “whole nuclear genomes from purported Sasquatchsamples. The genome sequencing shows that Sasquatch mtDNA is identical to modern Homo sapiens, but Sasquatch nuDNA is a novel, unknown […]

Vampires of New England

The Smithsonian Magazine investigates the vampires and vampire panics of 18th and 19th Century New England.  “In Manchester, hundreds of people flocked to a 1793 heart-burning ceremony at a blacksmith’s forge: ‘Timothy Mead officiated at the altar in the sacrifice to the Demon Vampire who it was believed was still sucking the blood of the […]

Tales from Ursula

Did you know Ursula Le Guin worked on an Earthsea screenplay with Peeping Tom and Black Narcissus‘ Michael Powell? I didn’t. There’s more in her Vice Magazine interview. (via Kaiju Shakedown)

The Bandwagon

The name of the trend is Harry Potter...

Ursula K. Le Guin is one of the most respected names in fantasy and science fiction. She doesn’t need to boost her career by cheap gimmicks or by following current trends. So I was a bit shocked to read about how Le Guin’s editor had suggested she write a young adult fantasy novel — not […]

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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