The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nate Powell Talks about The March, Depicting Violence and “I Have A Dream’

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Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what […]

“The Pull List: Black History Month”

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At Tor.com, Alex Brown shares her top ten favorite Black comic book characters. “For all their talk about diversity and inclusion, comic books still tend to be pretty straight, white, and male (and catered to same). But that doesn’t mean there aren’t a lot of great characters of color that do more than fill the […]

Anything Can Happen In Riverdale

Fiona Staples

I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

“We Will Force Gaming To Be Free”

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At First Person Scholar, Katherine Cross writes about “GamerGate and the licence to inflict suffering”: “GamerGate is neoliberalism’s distorted reflection of leftist terror: the lust for revolution, to be the Rough Rider ‘good guys’ saving the world by force if necessary, but with none of the obligations or thought inherent to political reasoning.” Like this:Like […]

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

“The Pain of the Watermelon Joke”

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Author Jacqueline Woodson writes about her memoir Brown Girl Dreaming, growing up in South Carolina and Daniel Handler’s watermelon joke directed at her at the National Book Awards. “I would have written Brown Girl Dreaming if no one had ever wanted to buy it, if it went nowhere but inside a desk drawer that my […]

“We Need Diverse Books”

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The Washington Post has a transcript of American Born Chinese and Boxers & Saints creator Gene Luen Yang’s speech at the 2014 National Book Festival Gala.  “We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say. This fear can be a good […]

Advice On Writing People Different From You

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At Midnight Breakfast, Mari Naomi shares a question from a white friend “Aside from doing research in order to make a believable character, in addition to leaving one’s personal (and media-learned) biases at the door, I don’t know the right answer to my friend’s question. How can she infuse [People of Color] into her story […]

“Cosplaying While Black: The Homicide of Darrien Hunt”

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At Black Girl Nerds, Jamie Broadnax writes a powerful piece about racism, cosplaying, police violence and the homicide of Darrien Hunt. “The first thing we need to do is NOT let this story scare us nor intimidate us into believing that we should be fearful of cosplaying.  We should still encourage others who may not […]

“Blaxploitation Horror Films: Backlash and Concerns”

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At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether […]

Apocalypse Games

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Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.“ Like this:Like Loading…

RIP, James Shigeta

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Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed […]

RIP, Bobby Womack

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Singer, songwriter and composer Bobby Womack has died. The stand-alone importance of his music aside, Womack’s songs were used in innumerable film soundtracks and Womack composed the soundtrack for Across 110th Street (1972). The Los Angeles Times, Time and The Telegraph have obituaries. At Ebony, Gary Harris remembers Womack. The New Yorker considers “The Unimpeachable […]

Interview with Kellee Terrell

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Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story if zombies weren’t part of it. Because […]

RIP, Ruby Dee

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Actor and activist Ruby Dee has died. Dee appeared in many roles in film, television and on stage. She appeared in St. Louis Blues (1958),  A Raisin in the Sun (1961), Guiding Light (1967), Peyton Place (1968-9), Buck and the Preacher (1972), Do The Right Thing (1989), Jungle Fever (1991),  American Gangster (2007). Josie Pickens […]

“America, Be Seated!”

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The Smithsonian Magazine‘s Vicky Gan looks at “The Story Behind the Failed Minstrel Show at the 1964 World’s Fair.” “Remarkably, the musical received support from the NAACP. The organization, understandably turned off by the minstrel show label, was critical of the production at first, but after seeing a Boston preview NAACP officials reversed their stance, […]

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

“Tiger Lily doesn’t equal Human Torch”

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“And bottom line, if you feel so disenfranchised by one role out of TONS of roles being changed up ethnically, if you are saying you can’t possibly relate to a character who is another race from you, well, I think that’s more a problem of your own than anything else. But don’t worry, the stastics […]

“It’s Black History Month & Women In Horror Month: Our Future”

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Graveyard Shift Sisters writes about the merging of Black History Month & Women In Horror Month: “The marriage of our stories and horror in 2014 is uncharted and drowning in possibilities. We can’t negate the magnitude of visual representation. Mirroring my first point, what we say and affirm about the multiplicitous life of Black women […]

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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