The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Apocalypse Games

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Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.“

RIP, James Shigeta

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Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed […]

RIP, Bobby Womack

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Singer, songwriter and composer Bobby Womack has died. The stand-alone importance of his music aside, Womack’s songs were used in innumerable film soundtracks and Womack composed the soundtrack for Across 110th Street (1972). The Los Angeles Times, Time and The Telegraph have obituaries. At Ebony, Gary Harris remembers Womack. The New Yorker considers “The Unimpeachable […]

Interview with Kellee Terrell

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Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story if zombies weren’t part of it. Because […]

RIP, Ruby Dee

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Actor and activist Ruby Dee has died. Dee appeared in many roles in film, television and on stage. She appeared in St. Louis Blues (1958),  A Raisin in the Sun (1961), Guiding Light (1967), Peyton Place (1968-9), Buck and the Preacher (1972), Do The Right Thing (1989), Jungle Fever (1991),  American Gangster (2007). Josie Pickens […]

“America, Be Seated!”

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The Smithsonian Magazine‘s Vicky Gan looks at “The Story Behind the Failed Minstrel Show at the 1964 World’s Fair.” “Remarkably, the musical received support from the NAACP. The organization, understandably turned off by the minstrel show label, was critical of the production at first, but after seeing a Boston preview NAACP officials reversed their stance, […]

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

“Tiger Lily doesn’t equal Human Torch”

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“And bottom line, if you feel so disenfranchised by one role out of TONS of roles being changed up ethnically, if you are saying you can’t possibly relate to a character who is another race from you, well, I think that’s more a problem of your own than anything else. But don’t worry, the stastics […]

“It’s Black History Month & Women In Horror Month: Our Future”

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Graveyard Shift Sisters writes about the merging of Black History Month & Women In Horror Month: “The marriage of our stories and horror in 2014 is uncharted and drowning in possibilities. We can’t negate the magnitude of visual representation. Mirroring my first point, what we say and affirm about the multiplicitous life of Black women […]

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

“An Alternate History of Flappy Bird”

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At Radiator Design Blog, Robert Yang writes about the indie game Flappy Bird and the harassment of its designer, Dong Ngyuen. “I suspect that if Nguyen were a white American, this would’ve been the story of a scrappy indie who managed to best Zynga with his loving homage to Nintendo’s apparent patent on green pixel […]

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

Forty-One Black Women In Horror Writing

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Sumiko Saulson shares a list of twenty Black women in horror writing. “February is Black History Month here in the United States. It is also Women in Horror Month (WiHM). As an Ambassador for WiHM, and as a woman of color (I am Black and Jewish) who is a horror writer, I am poignantly aware […]

A Treasury of African-American Films Made For African-American Audiences

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The Riverbends Genealogical and Historical Society has a collection of “race movies”: “The ‘race movie’ or ‘race film’ was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of […]

RIP, Hal Sutherland

Animator, director, Filmation co-founder and painter Hal Sutherland has died. Sutherland is probably best known for Fat Albert and the Cosby Kids, The Archies and Star Trek animated series. Sutherland  Indiewire has an obituary.  StarTrek.com remembers Sutherland. StarTrek.com has a two-part interview with Sutherland here.

“‘Diversity Lounge? PAX has a lot of work to do”

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Leigh Alexander writes about the gaming community, PAX’s proposed “Diversity Lounge” and providing safe, inclusive spaces: “But the ‘Diversity Hub and Lounge’ is vaguely insulting as a concept: What marginalized people want from games events is not necessarily to have special zones just for them, but to feel welcome, wanted and safe at the entire […]

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

“Why Is Grand Theft Auto So Conservative?”

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This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall)

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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