The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Character and the Audience: The Hyper-Capable Wounded Sparrow”

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Debbie Moon ponders the “Hyper-Capable Wounded Sparrow” and Captain America: The Winter Soldier: “The Hyper-Capable Wounded Sparrow is always male, and he’s that guy who can kill a roomful of people without breaking a sweat – but who is massively emotionally vulnerable, has no social support system, and is incapable of interacting with civilized society. […]

I had a bad day, but you’re a jerk

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We all know what we thought before we did that thing we really shouldn’t have done. We had a reason. Maybe it wasn’t a good reason, but unless we’re in an existentialist novel it wasn’t completely random and without motivation. Our understanding of why we do things is inextricably linked to what happened around us […]

Heroine Addict

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Apparently, once I get started on archetypes, I can’t stop. So having touched on the archtypes found in stories and in heroes, I’m going to have to complete the trifecta. Theories about the nature of the modern Romance heroine are legion. She’s a placeholder. She’s an expression of modern femininity. She’s an aspect of human […]

Holding Out For a Hero

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I recently read a column by Ilona Andrews about heroes, which A) though light-hearted was also informative, and B) I immediately decided to steal use as a springboard for an article of my own.< There’s a lot of discussion as to the role of the hero in modern Romance. Is he a placeholder for the […]

Alpha Bits

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It kind of goes without saying that the Romance genre is full of tropes and archetypes (though just to be clear: the happy ending is not archetype, but architecture).  Some come in plot form: the rags-to-riches story, for instance, a modern take on the Cinderella mythos.  Sometimes they pertain to character:  the driven career woman […]

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  • Of Note Elsewhere

    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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