The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Self-Portraits of Eleanor “Bunny” Yeager

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Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with […]

Modernist Sandcastles

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Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

Matt Fraction on Collaboration

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“I write for my partners. I write with them and to them. I seek collaborators and co-conspirators rather than employees. I share ownership of the books I do (Hawkeye obviously an exception) with the artists for whom I write as a rule. They make more than me, too, as a rule, and they earn it. […]

Interview with Noelle Stevenson

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Joanna Robinson interviews Noelle Stevenson. “Since she left art school, Stevenson has been busier than ever. At 23 years old, Stevenson just had the kind of year that would make even the most seasoned comics writer turn Hulk green with envy. She co-launched a wildly successful all-girl comic series, Lumberjanes; HarperCollins published a trade edition […]

“Frank Rudolph Paul’s Life On Other Planets”

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Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.

“Jeffrey Veregge: Art, Design, Mischief”

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A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into […]

The Thing–Storyboard to Film Comparison”

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A side by side comparison of  Michael Ploog’s storyboards and shots from John Carpenter’s The Thing.

Gorgeous Handcut Paper Microbes and Pathogens

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A gallery of Rogan Brown’s handcut paper microbes and pathogens. (Thanks, Ceil!)

Wakanda Worldbuilding

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The Art of Darian is doing some very interesting Black Panther art, from magazine covers featuring T’Challa (aka, Black Panther) to Wakandan currency to portraying T’Challa addressing the UN on C-Span. (via @profmdwhite)

Sticks and Bones

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There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

80s Supervillain Album Art

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Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

Recreating the Tarot in Haiti

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The Haitian art collective Atis Rezistans and photographer Alice Smeets have created some amazing photographs recreating images from the Rider-Waite Tarot deck. See them here, watch a video of members of Atis Rezistans talking about the project and read an interview with Smeets. “The spirit of the Ghetto Tarot project is the inspiration to turn […]

“The Skate Girls of Kabul”

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Quartz has a gallery of Jessica Fulford-Dobson’s photographs of the skater girls of Kabul, Afghanistan.

“Auto Sketches from Detroit’s Golden Era You were Never Meant to See”

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PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as […]

“Unbranded”

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NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make […]

“Space Is The Place: AfroFuturism On Film”

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At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more […]

Aubrey Beardsley in the Sixties

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Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

“Roz Chast’s Pysanky”

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The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

“We Are Not Colonists”

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At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of […]

“Lighten Up”

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At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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  • Of Note Elsewhere

    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

    ~

    Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with the Gavlak exhibition), Yeager had an influence on a generation of artist-photographers including Diane Arbus and Cindy Sherman. Arbus even went as far to call her ‘The world’s greatest pin-up photographer.'” (Thanks, Stephanie!)

    ~

    Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

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    While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game where I’m compelled to save the day not because of abstract threats, damsels in distress, or a desire for personal vengeance, but because the beauty of Gotham City compels me to protect it. Instead, I’m left for the fourth time with Batman and his playground.”

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    At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most extreme. That does not mean that it is any less fascinating than, nor nearly enchanting as, films like The Stolen Airship and Cesta do Praveku/Journey to the Beginning of Time. It only means that there is a vague miasma of obsession that threads through the movie’s general air of wonderment.” (The Gutter’s own Keith has posted images from Karel Zeman’s work here).

    ~

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