The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Women As Background Decoration: Part 2″

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In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence. Like this:Like Loading…

“A Gaggle of Golgo 13″

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Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13. Like this:Like Loading…

“He looks just like what you want a hitman to look like”

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Jeanne Marie Laskas tells the story of an ATF agent who works undercover as a hitman. Hear an interview with her at NPR and read the story at GQ. Like this:Like Loading…

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

Summer Fun Time Reading ’13

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It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number? You’ll […]

My New Weapon of Choice

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In April, the Guttersnipes like to mix it up a little.  This month, Comics Editor Carol Borden writes about romance. “You hit him with a frying pan,” he said to her.  “How come you didn’t grab a knife?” “The frying pan was closer.” Her eyes slid away.  “It’s not like I had time to pick […]

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

ActionFest 2012 Trailers

Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes;  Let The Bullets Fly; A Gang Story;  The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day;  Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch  […]

To Say Nothing of the Hitman: Romance and Sci-fi meet the comedy of errors

Every April the Gutter switches things up. This month Screen Editor alex writes about Romance. I admit to being a romantic, but I don’t have much experience with romance novels. Like most teenagers, I had a knack for finding the dirty bits in any likely looking books I could find on the shelf, and at […]

Pulp Fiction, Chronologically

Pulp Fiction remixed in chronological order. Watch it soon if chronological narrative is your thing. Like this:Like Loading…

One Podcast. Two Men. Ten Thousand Bullets.

The Projection Booth targets John Woo’s The Killer and its legacy, including an interview with Kenneth Hall, writer of John Woo: The Films. Like this:Like Loading…

Midnight Madness 2011

The line-up for the Midnight Madness Programme at the Toronto International Film Festival has been announced and the Gutter has some trailers and images for the films! Smuggler (directed by Funky Forest‘s Katsushito Ishii); The Day; Livid (from the directors of A L’Interieur/Inside); Kill List; The Incident; God Bless America (directed by Bobcat Goldthwait); Lovely […]

7 Biggest Dick Moves In Online Gaming

From Ultima Online to Eve Online, Cracked covers “The 7 Biggest Dick Moves in Online Gaming.” Like this:Like Loading…

Happy Birthday, Sonny Chiba!

Today’s JJ Sonny Chiba’s birthday and so it might be a good time to see what our friends at Teleport City have been writing about him. Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

13 Assassins Reign!

It’s assassins galore with John Woo and Su Chao-Pin’s Reign of Assassins and Takashi Miike’s remake of the classic chanbara, Thirteen Assassins. Like this:Like Loading…

Star Wars: The Solo Adventures

Neat 3D animated adventures– “Star Wars: The Solo Adventures.” Like this:Like Loading…

Fooling the System

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“Fisher,” they’d cry, “we’re going to find you.” They were looking in the wrong place. I was already somewhere else. And as they approached the last position they saw me, that somewhere else was right behind them. Either a clean bullet to the head or some other form of quick, close, personal death, they slump […]

The Chronicles of Riddick: Dead Man Stalking

Did you like Pitch Black but weren’t so sure about the mad, operatic The Chronicles of Riddick? Worried that Riddick is just gonna be stuck on that Necromonger throne for eternity? Apparently, he won’t. Dread Central has links to a new Riddick script review and concept art that’s more PB than TCoR. Like this:Like Loading…

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  • Of Note Elsewhere

    Actor Billie Whitelaw has died. Whitelaw was Samuel Beckett’s “perfect actress” and she also appeared in television and films, including: Gumshoe (1971), Frenzy (1972), The Omen (1976), Space: 1999 (“One Moment of Humanity”) (1976), The Dark Crystal (1982), The Secret Garden (1987), The Krays (1990), Jane Eyre (1996), Quills (2000) and Hot Fuzz (2007).  The Guardian, the BBC and Variety have obituaries. Here Whitelaw performs in Beckett’s “Happy Days” and “Not I,” written by Beckett for Whitelaw.

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    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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